The Author’s Corner with David Prior

between freedom and progressDavid Prior is Assistant Professor of History at the University of New Mexico. This interview is based on his new book, Between Freedom and Progress: The Lost World of Reconstruction Politics (LSU Press, 2019).

JF: What led you to write Between Freedom and Progress?

DP: I stumbled into the project through primary source research. When I started my graduate work, my advisor encouraged me to look at U.S. foreign relations during Reconstruction. In the process of doing that, I wrote an early seminar paper on American interest and involvement in an insurrection by Greek Orthodox Christians on the island of Crete against Ottoman imperial rule from 1866 to 1869. I was struck by how people in and from the United States, including former Confederates, not only discussed the insurrection, but argued over its meaning through competing sets of analogies to slaveholders, Apaches, Mormons, Poles, and Russians. Those analogies, and the underlying worldview they stemmed from, became what my book was about. I researched a number of seemingly disparate case studies that people at the time connected to each other and to Reconstruction, which is itself a term borrowed from Europe through analogy. I found myself attempting to fathom why these events, places, and individuals all called out for attention from people who, one would think, would have been narrowly focused on the South and its relation to the Union.

JF: In two sentences, what is the argument of Between Freedom and Progress?

DP: In the broadest sense, the aim of the book is to take a new look at the cultural, intellectual, and political landscape inhabited by Reconstruction’s partisans—those who struggled over and with Reconstruction’s core issues. Between Freedom and Progress does this by recovering why and how they imagined themselves as actors in world history, and in particular how a belief that struggles for freedom and progress transcended the globe stood in creative tension with a closely related assumption that history was about and made by coherent, distinctive groups of people (nations, races, religions, tribes) with their own characters.

JF: Why do we need to read Between Freedom and Progress?

DP: To recover a sense of the otherness of the past, even while we continue to acknowledge the ways that racism and inequality link the United States and the world today back to the contested politics of the postbellum decade.

JF: When and why did you decide to become an American historian?

DP: I loved history, as well as economics, going back to high school and double majored in college. When I started thinking about graduate school, I decided I enjoyed history a touch more, although I’ll admit I’ve always missed being able to engage with both disciplines.

JF: What is your next project?

DP: Right now I am working on an edited volume entitled Reconstruction and Empire that looks at the various ways in which the legacies of the Civil War and abolition shaped the imperial moment of the late 1890s and early 1900s.

JF: Thanks, David!

The Author’s Corner with Erik Seeman

speaking with the dead in early americaErik Seeman is Professor of History and History Department Chair at the University at Buffalo. This interview is based on his new book, Speaking with the Dead in Early America (University of Pennsylvania Press, 2019).

JF: What led you to write Speaking with the Dead?

ES: In my large lecture class, “Death in America,” Spiritualism is one of my students’ favorite topics. I had long wondered how a religious movement with such a specific starting point–the Fox Sisters’ communication with a ghost in 1848–could claim “millions” of adherents within a decade (leave aside for a moment that the claim was likely exaggerated).

So I started Speaking with the Dead with a simple question: Where did Spiritualism come from? But I quickly became dissatisfied with previous historians’ answers, which had focused on relatively marginal movements in the 1830s and 1840s: Shakerism, Mesmerism, Swedenborgianism. The deeper I dug, the more I found examples of people imagining communication with the dead, not only in the nineteenth century, but going back to the Protestant Reformation in sixteenth-century England.

JF: In two sentences, what is the argument of Speaking with the Dead?

ES: Protestantism is a religion in which the dead play a central role. From the Reformation forward, many Protestants have maintained relationships with the dead, a tendency that increased over time and culminated in what I call the antebellum cult of the dead.

JF: Why do we need to read Speaking with the Dead?

ES: Historians have long insisted – as in one recent account of the Reformation – that “Protestantism stripped religion of mediation and intimacy with the dead.” Speaking with the Dead offers countless examples from historical, literary, and material culture sources to demonstrate that such assertions must be revised.

To use categories formulated by the religious studies scholar Robert Orsi, historians have usually conceived of Protestantism as a religion of “absence,” in contrast to Catholicism, which is seen as a religion of the “presence” of supernatural beings other than God and Christ (saints, deceased loved ones, the Virgin Mary). In my account, Protestantism is very much a religion of presence.

JF: When and why did you decide to become an American historian?

ES: I went to college “in Boston” (as Harvard grads like to say, evasively). I was a History major but not at all on a path toward becoming a historian, until I started primary source research for my junior-year paper, sort of a mini-thesis. I started taking the T and the commuter rail to the Mass Archives at Columbia Point and the Essex County Courthouse in Salem. I couldn’t believe they handed over stacks of eighteenth-century wills and inventories and letters to an untested twenty-year-old. The next year I continued my research on the social history of the Great Awakening, expanded my geographic compass, and spent so much time in the archives that I got a D on my Icelandic Saga midterm. At that point I asked my Teaching Fellow, Mark Peterson, “How do I do what you do?”

JF: What is your next project?

ES: Continuing the Boston theme, I’ve just started a book I’m calling “The Pox of 1721: Boston’s Deadliest Epidemic.” It’s going to be a social history of the sort I started writing as an undergrad. This is the smallpox epidemic famous for the “inoculation controversy”: Cotton Mather and Zabdiel Boylston favored the new (or new to Euro-Americans) practice of inoculation, while William Douglass and others strongly opposed it. This controversy left an ample published record that has drawn lots of scholarly attention. But what about ordinary people? How did this epidemic play out among the unfree as well as the free, the poor as well as the well-to-do? We’ll see if I’m able to unearth enough sources to tell that story.

JF: Thanks, Eric!

The Author’s Corner with John Brooke

there is a northJohn Brooke is Arts and Sciences Distinguished Professor of History and Professor of Anthropology at Ohio State University. He is also Director of the Ohio State University Center for Historical Research. This interview is based on his new book, “There is a North”: Fugitive Slaves, Political Crisis, and Cultural Transformation in the Coming of the Civil War (University of Massachusetts Press, 2019).

JF: What led you to write “There is a North”?

JB: I am thrilled that my book is out, and want to thank the University of Massachusetts Press for doing such a nice job with the production. I began thinking about this project in 2010 for two reasons: I wanted to write about how people experience “events,” and I wanted to address the central issue of the history of the republic. Here, I was dissatisfied with the dominant narrative, which focuses on why the South seceded. The new literature on the politics of slavery during the American Revolution and Early Republic makes it plain that the South would secede whenever the slaveholders faced a fundamental threat to “the institution.” 

JF: In two sentences, what is the argument of “There is a North”?

JB: The central question regards how and when the fundamental threat to slavery emerged. It is equally clear that, while the abolitionists worked long and hard, they had not before the 1850s convinced a strategic block Northern opinion to stand up against slavery.

JF: Why do we need to read “There is a North?

JB: Readers should consider “There is a North” because it describes this conversion between the fall of 1850 and the spring of 1856, focusing on the way in which the Fugitive Slave Law was turned into a cultural weapon against slavery through the efforts of Harriet Beecher Stowe in Uncle Tom’s Cabin, but also the efforts of hundreds of other authors, musicians, and theatrical producers and performers. This process involved a fundamental though fleeting creolizing encounter of black and white American cultures, unfolding in a contested by real confluence of black and white interest against slavery and the Slave Power. By the time that the Kansas-Nebraska Act was passed in 1854, this drawn out “media event” had reshaped public opinion. While both the political and cultural dimensions of this story have been the subject of important works, “There is a North” is the first to focus on both equally, and on their synergies.

JF: When and why did you decide to become an American historian?

JB: My interests in American and also world history have their origins in my childhood, and were nurtured at Cornell and then at Penn, where I became an early American historian, eminently advised by Michael Zuckerman and his many colleagues. “There is a North” is my fourth book on society and culture in the American North from the Age of Revolution to the Civil War.

JF: What is your next project?

JB: Teaching global environmental and climate history at Tufts and Ohio State led to my global book, Climate Change and the Course of Global History: A Rough Journey. The next several years will be devoted this project, producing a 2nd edition and a spin-off undergraduate text.

JF: Thanks, John!

The Author’s Corner with Matthew Fox-Amato

exposing slaveryMatthew Fox-Amato is Assistant Professor of History at the University of Idaho. This interview is based on his new book, Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America (Oxford University Press, 2019).

JF: What led you to write Exposing Slavery?

MFA: I was (and still am) interested in how social movements have used the power of culture to effect change. I also wanted to better understand the role that images of suffering have played in shaping modern experience and, more specifically, American politics. Initially, a project about abolitionist photography seemed the way to pursue these interests. I was aware of the many photos of Frederick Douglass and Sojourner Truth as well as certain images that abolitionists circulated during the Civil War, such as the “Scourged Back” (1863), in which a fugitive slave poses with his flagellated back towards the camera. My plan was to examine how abolitionists drew upon this new visual technology to fight racism and expose the violence of bondage.

But the project changed as I began finding evidence in the slave South. I came across a few digitized photographs, commissioned by enslavers, of enslaved people in the 1850s. I found written sources suggesting enslaved people actively engaged the medium, as in, for instance, a newspaper article about African Americans purchasing photographs from an itinerant daguerreotypist in a small town in Alabama. These and other sources led me to revise how I was conceptualizing antebellum photography. The medium was more than simply a tool for abolitionists: it served as a cultural middle-ground, through which various historical actors–in both the North and South–made claims about themselves and the world. How, I now asked, did photography influence the culture and politics of slavery? And how was the medium shaped in the process? My book aims to answer these questions.

JF: In two sentences, what is the argument of Exposing Slavery?

MFA: Photography exacerbated the political crisis over slavery. In turn, those most invested in the potential futures of slavery–enslavers, enslaved people, abolitionists, and Civil War soldiers–turned photography into a political tool.

JF: Why do we need to read Exposing Slavery?

MFA: It is abundantly clear that the digital world has reshaped the intertwined relationship between media and U.S. politics–whether one looks to changes in newspapers or the influence of platforms like Facebook and Twitter. To make sense of these changes, we need a more textured understanding of how media have shaped politics in the past. My point in Exposing Slavery is not that the emergence of photography simply helped promote freedom and equality and diminished anti-black racism. It is, instead, that photography catalyzed conflict, because actors from across the political spectrum seized on it for different political goals–much like we see with social media today.

I also want readers to come away with a new approach for conceptualizing historical actors. Exposing Slavery puts visual culture at the center of American history in a very specific way. Not only does it analyze images as evidence (rather than simply illustrations), but it also foregrounds how non-artists helped produce images and delves into the ways in which they circulated, displayed, and gazed upon those images. I show, for instance, how some enslaved people preserved photographic portraits of their loved ones, a practice that enabled them to maintain familial ties amidst the disruptions of the domestic slave trade. Likewise, I reveal how white Union soldiers helped craft interracial scenes during the Civil War. These images, which routinely pictured black men kneeling beneath and serving white soldiers, reinforced racial hierarchy as slavery crumbled. These and other instances demonstrate how non-artists shaped history through photography. We see the past anew once we begin to grapple with the many consequential ways that ordinary historical actors (not just trained artists) have used and made meaning from images.

JF: When and why did you decide to become an American historian?

MFA: I was riveted by my first serious work in an historical archive. When I was writing my undergraduate thesis about the Hollywood Production Code (film censorship enacted in the 1930s), I spent time at the Margaret Herrick Library in LA, poring over letters between Code executives and studio producers. I was captivated by the letters I read–documents full of conversation about what should be kept, altered, and cut in various film scripts. I felt like I had a front-row seat to the creation of popular culture, and was struck by the idea that my thesis would be dramatically shaped by the questions I asked about these sources. It was in this moment that I knew I wanted to study the past for a living.

JF: What is your next project?

MFA: I’m beginning a new book-length study about the historical relationship between visual journalism and the White House. The project examines how sketch artists and photojournalists have visualized the presidency, and how administrations began to create and disseminate their own news pictures. I’m fascinated by connections between visual media and the uneven development of democracy. This book explores one part of that larger story.

JF: Thanks, Matthew!

The Author’s Corner with Carl Guarneri

Lincoln.jpgCarl Guarneri is Professor of History at Saint Mary’s College of California. This interview is based on his new book, Lincoln’s Informer: Charles A. Dana and the Inside Story of the Union War (University Press of Kansas, 2019).

JF: Why did you decide to write Lincoln’s Informer?

CG: I hatched plans for Lincoln’s Informer many years ago when I learned that Charles Dana, whose experience at the Brook Farm commune I had covered in my first book, The Utopian Alternative (Cornell University Press, 1991), moved on to a fascinating—and virtually unstudied—Civil War career. My interest was piqued when I learned that Dana’s war memoirs, published in 1898, were actually ghostwritten by the muckraker Ida Tarbell and, I discovered, riddled with mistakes. I took the absence of a trove of personal Dana papers as a research dare, along with the several thousand wartime telegrams sent by him that are recorded on microfilms at the National Archives. Although the Civil War had not previously been my scholarly focus, I had been teaching it for three decades, which stimulated my desire to do some original scholarship in the field. Several other book projects clamored for my attention first. In retrospect, I’m grateful for the long delay because it enabled me, once I returned to the Dana project, to benefit from so much fine Civil War scholarship that appeared in the intervening years.

As an Assistant Secretary lodged in Washington’s corridors of power and a special agent sent by Lincoln and Stanton to the front to file confidential reports, Dana, I sensed, was a wonderful source for telling the inside story of the Union war. My friends kept pointing out that he bore a resemblance to a fictional character (like Forrest Gump) who just happened to be present in the middle of a series of momentous historical events. But Dana was real, and he did more than observe history; he made it. His reports helped to make Union generals like Grant and break others, such as McClernand and Rosecrans. Meanwhile, at Washington he supervised Union spies, lobbied legislators for Lincoln, and helped police the contentious Union home front. My research brings out Dana’s important behind-the-scenes role, while the book’s sideways approach allows me to take the measure of Union leaders like Lincoln, Stanton, and Grant without adding to the leaning-tower pile of their published biographies.

JF: In two sentences, what is the argument of Lincoln’s Informer?

CG: This is not primarily a thesis-driven book but a dramatic and (I hope) colorful narrative that clarifies along the way many controversies about Civil War battles, generals, and events, and offers a fresh look at Lincoln, Stanton, Grant, and Union leaders. Its cumulative effect is to highlight Dana’s substantial contributions to Union victory, and, more generally, the indispensable role that people most readers have never heard of–special agents and bureau chiefs in the War Department–played in organizing and sustaining the Union’s massive war effort.

JF: Why do we need to read Lincoln’s Informer?

CG: Scholars and history buffs who can’t get enough of the Civil War will, I trust, not require strenuous convincing! For them, and for students and other readers, Lincoln’s Informer addresses important and perennially fascinating Civil War questions (Why did northerners reject secession? Who freed the slaves, and why? How did Lincoln finally find the right generals? Did the President’s use of patronage help or hinder the war effort? Was there a Confederate conspiracy to assassinate Lincoln?), but it does so from a fresh angle by excavating the actions and views of a little-known confidant of Union war leaders, an administration insider with surprising influence. The book’s narrative suggests some “revisionist” answers to these questions. Equally important in my view, as Lincoln’s Informer tells its story in detail it gives a feel for the way the Civil War’s momentous events unfolded day-by-day in the eyes of key participants.

JF: When and why did you decide to become an American historian?

CG: In retrospect, our autobiographical paths always seem clearer, even predestined. As a curious kid in a home-bound, working-class Italian-American family, I found escape in the vicarious travel of poring over maps and collecting stamps, and in the backward time-travel of historical fiction. I had the benefit of encountering inspiring history teachers in high school and college, too. But the truth is that I studied economics and art history as an undergraduate, and only in approaching graduate studies did I turn—or return—to history. It was a professor of French history who urged me to focus on the United States—which I had not studied in college—and to examine its transatlantic and global connections. It turned out that studying US history this way satisfied my curiosity about other times and places while also illuminating our own. Since then I have veered between “ballooning”—assessing the US in global perspective—and “burrowing”—digging deeply into specific events and primary sources, rejoicing that practicing history allows me to do both.

JF: What is your next project?

CG: Deconstructing Charles Dana’s ersatz memoirs has whetted my appetite for exploring issues raised by Civil War memoirs as problematic historical sources, which can be mined—always with caution— for information about wartime events, but can also be examined as explorations in the workings of memory, as survivors’ attempts to fix historical legacies, and as interventions in ongoing military and political controversies. I’m hoping to pursue this further. Meanwhile, in keeping with my interest in transatlantic history, I am preparing an edition of Dana’s newspaper reportage of the 1848 Revolutions in Europe.

JF: Thanks, Carl!

The Author’s Corner with Niels Eichhorn

liberty and slaveryNiels Eichhorn is Assistant Professor of History at Middle Georgia State University. This interview is based on his new book, Liberty and Slavery: European Separatists, Southern Secession, and the American Civil War (LSU Press, 2019).

JF: What led you to write Liberty and Slavery?

NE: The project started in my freshman year in college when I took a Civil War history class (senior-level class), where I became interested in German-U.S. relations. I was especially curious about Rudolph Schleiden, Bremen’s diplomatic representative in the United States. Schleiden, a former 1848 revolutionary, who had tried in April 1861 with a visit to Alexander Stephens in Richmond to stop the war, seemed to have a unique story to tell. I wanted to know more about him. As I continued in graduate school, I expanded to include other Schleswig-Holstein revolutionaries of 1848 and how they translated their experiences from Europe to the United States. Aware that this was still a narrow subject matter, I went even larger and decided to also include Irish, Polish, and Hungarians, who shared a similar set of arguments about political and national oppression with the U.S. South. All four of these migrant groups had important leaders involved politically or militarily in the U.S. Civil War. Born was Liberty and Slavery, European revolutionaries facing southern secession.

JF: In three sentences, what is the argument of Liberty and Slavery?

NE: Liberty and Slavery illustrates that separatism was a universal experience across the Atlantic World during the middle decades of the nineteenth century and the various movements intellectually and personally influenced each other. European separatists who had feared political or national enslavement in Europe frequently looked to a southern minority forcing its will on, enslaving, the United States, whereas the vast majority of European migrants supported the Union against an aristocratic-looking minority intend on destroying or at least dominating the United States, eliminating the beacon many European separatists had looked to for help and inspiration during their own rebellions. Their European background and interpretation of the sectional struggle influenced their decision to side with Union or Confederacy.

JF: Why do we need to read Liberty and Slavery?

NE: Because it is a really important book … humor aside, Liberty and Slavery illustrates that residence alone did not determine allegiance. Only because Hungarians resided in the North did not mean they automatically sympathized with the United States. The book aims to illustrate the complexities of the ideological baggage migrants brought with them to the United States, especially revolutionaries, and their difficulty of translating their arguments and experiences into the United States. Furthermore, while the Irish are a relatively well-known group fighting in the Civil War, the Hungarians and Polish are much less familiar. The book has a heavy dose of European history in the first two chapters because scholarship of 1848 revolutionaries in the United States often overlooks the background these revolutionary migrants bring with them, their language and experiences, creating the perception that they are Union-loving, liberty-embracing anti-slavery advocates when they get off the boat. It was not that simple. Liberty and Slavery illustrates the complexities of nationalism and the construction of identity, especially when in a foreign country.

JF: When and why did you decide to become an American historian?

NE: Well, there are some out there who have openly wondered if I am actually a U.S. historian, I do think so, even if my approach is rather unique. The first spark came when my VHS recorder gave out on the last hour of Gettysburg–I had school the next day and could not stay up until midnight. It was incredibly tough finding any literature about the U.S. Civil War in German bookstores. That is where I started to read about U.S. history, mostly books brought home from vacations in the United States. The decision to pursue history professionally, came in my freshmen history class when I realized that German-U.S. relations had no literature. Thus I went from military history-interested to diplomatic history to transnational history.

JF: What is your next project?

NE: The difficulty here is that Liberty and Slavery has two concurrent projects. While working on this book, I have also been working with my friend and colleague Duncan Campbell at National University in San Diego on The Civil War in the Age of Nationalism, the first-ever study placing the Civil War in a global context. I also have forthcoming later this year The Atlantic World in the Nineteenth Century (Palgrave), which takes a broad look at the Atlantic region and how people, ideas, commodities, and money continued to crisscross the Atlantic during the nineteenth century and how that helped to create a coherent and vibrant Atlantic community. These three were concurrent projects. About two months ago, I asked myself the same question you asked, what next. I am/was torn between two projects that really interest me going forward: a nineteenth-century history of the South to illustrate continuities within the region or my long thought about work on Civil War diplomacy. I have opted for the latter for the moment since I have most of the research in hand, but as I am going through the thousands of microfilm scans and archival-material photographs, I am not sure where this project will lead yet.

JF: Thanks, Niels!

The Author’s Corner with T.H. Breen

the will of the peopleT.H. Breen is William Smith Mason Professor of American History at Northwestern University. This interview is based on his new book, The Will of the People: The Revolutionary Birth of America (Belknap Press, 2019).

JF: What led you to write The Will of the People?

THB: Unlike the histories of other revolutions—the French and Russian, for example—in which ordinary people figure centrally in the story, accounts of the American Revolution have focused on a few celebrated leaders or on the battlefield. I wanted to restore the missing piece to our understanding of the nation’s origins, people in small communities who experienced fear, called for revolutionary justice, complained about the betrayal of the cause by other Americans, sacrificed a lot to sustain the fight for independence, contemplated revenge at the end of the war and yet through it all managed to sustain a compelling vision of a new republic. Without them, we would not have achieved independence.

JF: In two sentences, what is the argument of The Will of the People?

THB: The American people did not initially set out to achieve independence or to organize a genuine revolution. But the actual experience of so many new men coming to power in small communities—of making judgments on revolutionary committees about their neighbors—transformed a colonial rebellion into a genuine revolution.

JF: Why do we need to read The Will of the People?

THB: Unlike other studies that depict the Revolution largely as an intellectual event or as the achievement of a small group of Founding Fathers, The Will of the People shows how ordinary people sustained resistance to Great Britain for eight years and in the process brought forth a new political culture that endures to this day.

JF: Tell me a little about your research and sources for this book.

THB: The book draws on contemporary newspaper accounts, town records, and personal papers to reconstruct how Americans gave meaning to the revolutionary experience.

JF: What is your next project?

THB: My next book will be entitled The Man Who Saved the American Revolution. It is a study of a remarkable early 19th-century printer Peter Force, who collected thousands of revolutionary documents that were at risk of being destroyed.

JF: Thanks, Prof. Breen!

The Author’s Corner with Carlton Larson

The Trials of AllegianceCarlton Larson is Professor of Law at University of California Davis School of Law. This interview is based on his new book, The Trials of Allegiance: Trials, Juries, and the American Revolution(Oxford University Press, 2019)

JF: What led you to write The Trials of Allegiance?

CL: The book’s origins date to the spring of 1996, when I was trying to develop a topic for my college senior thesis. I became fascinated by the “forgotten founder” James Wilson, one of America’s most eminent lawyers and a signer of the Declaration of Independence and the U.S. Constitution. I discovered that Wilson had defended men accused of treason against the state of Pennsylvania during the American Revolution, and this immediately sparked my interest – how did Americans come to prosecute other Americans for treason when the American Revolution was itself an act of treason against Great Britain? I thoroughly enjoyed writing the thesis, and I returned to the subject of treason several times as a law professor, now armed with a stronger understanding of law and the legal system. I began developing the material into a book in 2010. Now, twenty-three years after I began, the book is finally out.

JF: In two sentences, what is the argument of The Trials of Allegiance?

CL: The law of treason was central to the American Revolution, encompassing a host of issues from debates over the legitimacy of resistance activities to the treatment of Loyalists. Although a variety of institutions addressed potential disloyalty, ranging from the military to committees of safety, juries proved surprisingly lenient of accused traitors, reflecting a deep-seated belief that the death penalty was an inappropriate punishment for treason.

JF: Why do we need to read The Trials of Allegiance?

CL: The book emphasizes several aspects of the American Revolution that have often been overlooked.

First, the American Revolution was a violent, bloody civil war that pitted neighbors against neighbors and fathers against sons. Everyone was potentially a traitor, either to Great Britain or to the United States. The leaders of the Revolution were deeply concerned that internal enemies, loyal to Great Britain, were lurking in the background, waiting for just the right moment to strike. Inevitably, the desire to take pre-emptive action against these perceived enemies clashed with traditional notions of Anglo-American liberty. This book shows how the founding generation addressed the competing goals of liberty and national security during a time of national crisis and significant internal division.

Second, colonial Americans began accusing other Americans of “treason against America” long before the Declaration of Independence was signed. Indeed, in trials before committees of safety in 1775 and early 1776, persons were convicted of this offense and sentenced to imprisonment. These trials demonstrated the functional establishment of American sovereignty and independence and the development of an American national identity well before the formal assertion of independence.

Third, one would not expect that persons accused of loyalty to Great Britain would fare particularly well before American juries during the Revolution. But grand juries repeatedly refused to indict persons accused of treason; trial juries refused to convict; and, in the few cases in which they convicted, trial jurors sought clemency for the defendant. In so doing, the jurors consistently treated treason differently than other capital crimes. Persons accused of treason were not incorrigible criminals, but friends and neighbors who had chosen the opposite side in a political dispute and thus were capable of reformation and assimilation back into the community. Eventually, even people who had fled to Great Britain were welcomed back; only Benedict Arnold, the arch-traitor, remained beyond possibility of redemption.

Finally, there has been very little written about how criminal juries actually operated in revolutionary America. This book provides a careful look at what were perhaps the most important jury trials of the Revolution, where ordinary men would sit in judgment of the allegiance of their peers. The book explores who served on juries, and how defense counsel shaped the jury through the creative employment of peremptory challenges on the lines of religion, age, wealth, ethnicity, and militia service.

JF: When and why did you decide to become an American historian?

CL: When I was six years old, my family spent a summer in Massachusetts and we visited many historic sites associated with the American Revolution. I have been fascinated by American history ever since. I majored in American history in college, and, although I do not have a Ph.D. in history, I have continued to write and teach about legal history as a professor at the UC Davis School of Law.

JF: What is your next project?

CL: My next project is a trade book with Ecco Press, tentatively titled Treason: A Citizen’s Guide to the Law. This book carries the story of treason forward from where The Trials of Allegiance leaves off. Look for it in 2020!

JF: Thanks, Carlton!

The Author’s Corner with Sarah Pearsall

Polygamy An Early American HistorySarah Pearsall is University Senior Lecturer in the History of Early America and the Atlantic World at the University of Cambridge. This interview is based on her new book, Polygamy: An Early American History (Yale University Press, 2019).

JF: What led you to write Polygamy?

SP: When I started working on this project, fierce debates over same-sex marriage erupted at the center of U.S. politics, and marriage controversies also kept emerging in my research and teaching. In the course of research on my first book about Anglo-Atlantic families, I started to notice a negative version of the ideal marriage: the harem, supposedly ruled only by lust, greed, and fear, never true love. In an undergraduate course I was teaching on early American travel narratives, depictions of polygamy appeared over and over again. Why were people so fascinated—and sometimes so horrified— by other people marrying in what they felt was the wrong way? What did differences over marriage highlight about society and politics? Polygamy seemed a good way to open up these vexing issues. Yet I could find few books about it, and none focused on colonial America. With a few notable exceptions, most studies of early American colonialism treated disputes over polygamy as something like mere local color in the background of a borderlands drama. Yet sometimes different ideas about households were not the backdrop; they were the drama. I wanted to know more about this drama, and the women and men who shaped it.

JF: In two sentences, what is the argument of Polygamy?

SP: Most Americans, even (early) American historians, presume the history of polygamy in North America only really began with Western controversies surrounding the Church of Jesus Christ of Latter-day Saints (Mormons) in the nineteenth century. In fact, I argue that what happened to the Mormons was near the end, a decisive battle in a long-standing war for monogamy which reveals a great deal about women, men, households, and power in early modern encounters.

JF: Why do we need to read Polygamy?

SP: This book places women and men, and their intimate, sometimes physical, relations, at the center of an analysis of colonialism and nationhood. This somewhat unusual perspective yields some compelling surprises and fascinating stories. Many of the major actors in this narrative were Native American or African American. I hope that the book prompts readers to question their own assumptions about this allegedly “backwards” form of marriage. Even more significant, though, is that readers take away that centering marriage changes how we think about major events and processes, including the Pueblo Revolt (which I first discussed in an article in the American Historical Review), King Philip’s War, and even the American Revolution. The book ranges widely but deeply across many times and places, so even specialists should learn something new. Finally, one friend jokingly suggested that displaying a copy would make the reader look hip and attractive, but I could not possibly comment on that.

JF: When and why did you decide to become an American historian?

SP: Strangely, I became an American historian when I left the United States and went to study in England. I came to Cambridge University as a master’s student to study British history. While there, I increasingly felt the pull of early American history. An exceptional high school teacher, Melinda Hennessey, as well as many amazing teachers at Yale had already ignited my passion for history. I was fortunate to be able to return to the U.S. to do my PhD in early American history at Harvard with Laurel Thatcher Ulrich, with a strong interest in British and Atlantic history. My first book reflects those joint interests. In the end, I fell in love with early American history because it is at once familiar and alien. It also involves so many rich and dynamic encounters between different people; for better or worse, these contacts continue to shape our world. I hope my new book gives a flavor of them.

JF: What is your next project?

SP: I have enjoyed working on this topic so much that I am now writing a global history of polygamy with a long temporal span. I also have a project on the American Revolution in the works, as well as one on slavery and marriage.

The Author’s Corner with D.L. Noorlander

Heaven's wrath.jpgD.L. Noorlander is Associate Professor of History at the State University of New York at Oneonta. This interview is based on his new book, Heaven’s Wrath: The Protestant Reformation and the Dutch West India Company in the Atlantic World (Cornell University Press, 2019).

JF: What led you to write Heaven’s Wrath?

DN: The project started when I was a graduate student at Georgetown University. I was reading a lot of colonial history for my classes and exams, and I noticed that British and Spanish topics tend to dominate the field. I had had an interest in Dutch history for a long time, partly because of my own family ties to the Netherlands (Noorlander is a Dutch name) and partly because I had lived there for two years and spoke the language, which is pretty rare in the United States! When the time came to propose a dissertation topic, there really wasn’t much question about doing something on the Dutch in early America.

At this point I honestly don’t remember how I came to focus on the Calvinist influence in the Dutch West India Company, but that’s what happened. In reading about New Netherland and other Dutch colonies, I think I just came to believe that American historians had paid a lot more attention to the former than it probably deserved, given its place of relative unimportance in the Dutch empire. And I came to see that historians had written a lot about Dutch commerce, but they had done less social, cultural, and intellectual history.

To give credit where credit is due, I think my eyes were also opened to all the rich opportunities in Dutch research by reading books like The Reformed Church in Dutch Brazil(F.L. Schalkwijk), Fulfilling God’s Mission(Willem Frijhoff), and Innocence Abroad religio(Benjamin Schmidt). They are very different books, but they all contained wonderful surprises regarding Dutch ideology, Dutch religion, and Dutch activities in West Africa and South America. The same company that oversaw New Netherland oversaw Dutch forts and colonies in these other places, too, so it just made sense to study them together.

JF: In two sentences, what is the argument of Heaven’s Wrath?

DN: The Dutch Reformed Church and West India Company forged a close union, with significant consequences throughout the seventeenth century. Certain of those consequences were, from the Calvinist point of view, positive; but the union also encouraged expensive, destructive military operations and divisive campaigns against sinners and religious nonconformers in colonial courts.

JF: Why do we need to read Heaven’s Wrath?

DN: In my experience, Americans tend not to know just how active and influential the Dutch were in early America and the Atlantic world. Because they ultimately lost Brazil to the Portuguese and New Netherland to the English, it’s easy to forget that the Dutch once had an impressive Atlantic empire. Their endless attacks on the Spanish and Portuguese may have inadvertently assisted the English and French, as well, because the Dutch kept their enemies so occupied that they (the Spanish and Portuguese) couldn’t resist and quash competitors with the same vigor and capacity they would have had without having to fight the pesky Dutch for so many years.

In short, readers of my book will learn about a people who did far more than trade: They were pirates and privateers, they waged wars, they founded colonies — and yes, despite their reputation for pragmatism and tolerance, they pursued religious goals and exhibited the occasional streak of zealotry and intolerance. I’m not the only historian noticing and writing about these things today. But Heaven’s Wrath is unique, I think, as a history of the whole West India Company, no matter where it operated, and the book is unique in using the topic of religion to reveal and explore these diverse colonial goals and methods.

JF: When and why did you decide to become an American historian?

DN: I was an English major as an undergraduate student. I was a senior before I finally realized that, as much as I love literature, I was also reading a lot of history and a lot of biographies, even more so than fiction. So I took a year off after I graduated and I applied to an MA program in history. And I liked it enough that I decided in the end to pursue a PhD.

The more profound answer is this: I love stories, but sometimes the non-fiction variety of story is more fascinating than the made-up variety, maybe because with fiction, no matter how good and profound it can be, there’s always the slightly disappointing knowledge that “this didn’t really happen” and “this doesn’t involve real people” (except in the vague sense that fiction writers draw upon human experiences and the human condition). I also love the mystery and challenge of putting my “story” together, meaning searching it out in the archives and using scattered sources to reconstruct what otherwise isn’t clear. It requires a lot of patience and detective work and, yes, even a bit of imagination.

JF: What is your next project?

DN: Readers of Heaven’s Wrath will sometimes encounter a poet, lyricist, and colonist named Jacob Steendam. Over the course of his life he lived in Europe, Africa, America, and Asia. I’ve been collecting sources on Steendam for years, and I’m now going to write a whole book about his travels and writings. Because he’s such an obscure figure, it won’t be a simple biography. But I’m going to use him and his poetry to explore the many “worlds” of the Dutch Golden Age, meaning the places he lived and the less tangible worlds of early modern writing, publishing, music, and their place in colonial life and colonial thought.

JF: Thanks, Danny!

The Author’s Corner With Christopher Cameron

Black FreethinkersChristopher Cameron is Associate Professor of History at the University of North Carolina–Charlotte. This interview is based on his new book, Black Freethinkers: A History of African American Secularism (Northwestern University Press, 2019).

JF: What led you to write Black Freethinkers?

CC: Like countless scholars of African American religion, I began this project after reading Al Raboteau’s classic book Slave Religion. Toward the end of the work, he mentions that not all slaves “too solace in religion” and some could not believe in a just and all-powerful God who would allow his people to suffer under slavery. Raboteau’s discussion of atheism and agnosticism occupies just two pages yet was incredibly intriguing to me, as I’d encountered no other historians who explored religious skepticism in nineteenth century slave communities. This discovery led me to begin searching for examples of black freethinkers, both in the era of slavery and in the twentieth century, and what I found convinced me that black freethought was much more prevalent and important than scholars have realized.

JF: In two sentences, what is the argument of Black Freethinkers?

CC: African American freethought began as a response to the brutality of the institution of slavery and developed in tandem with movements such as the New Negro Renaissance and Black Power. While freethinkers have constituted a small segment of the black population, they have nevertheless played critical roles in African American intellectual and political life since the mid-19th century.

JF: Why do we need to read Black Freethinkers?

CC: Probably the most common response I get when discussing this book with people is “I didn’t know that person was a freethinker.” This is the case when discussing lesser-known figures such as Louise Thompson Patterson or more well-known freethinkers such as Richard Wright and Zora Neale Hurston. Black Freethinkers demonstrates that religious skepticism was prevalent among some of the most prominent voices in African American history, including Frederick Douglass, W.E.B. Du Bois, A. Phillip Randolph, Richard Wright, James Baldwin, Lorraine Hansberry, and Huey Newton. And these were not simply intellectuals and political activists who happened to be freethinkers but rather people whose political ideology/activism and literary production were profoundly shaped by their religious skepticism. Black Freethinkers thus helps us to more fully understand the intersections between religion and African American literary, intellectual, and political history, especially in the twentieth century.

JF: Tell me a little about your research and sources for the book.

CC: Following up on the discussion of atheism among slaves in Raboteau’s book, I began the research for Black Freethinkers by reading dozens of slave narratives. While historians have used these sources to document various aspects of slave religiosity, they are also useful sources to document the presence of religious skepticism in southern slave communities. For later chapters of the book, novels, poetry, memoirs, newspapers and other periodicals were key sources. I likewise found archival sources such as letters, unpublished memoirs, sermons, and records of liberal congregations such as the Harlem Unitarian Church to be incredibly valuable in writing the book.

JF: What is your next project?

CC: I have two projects in the works right now. One is an edited collection (with Phillip Luke Sinitiere) entitled Race, Religion, and Black Lives Matter: Essays on a Moment and a Movement. The second is a monograph entitled Liberal Religion and Race in America that explores African Americans engagement with liberal sects such as the Unitarians and Universalists from the revolutionary era to the creation of Black Lives of Unitarian Universalism in 2015.

JF: Thanks, Christopher!

The Author’s Corner With Thomas Balcerski

BalcserskiThomas J. Balcerski is Assistant Professor of History at Eastern Connecticut State University.  This is interview is based on his new book Bosom Friends: The Intimate World of James Buchanan and William Rufus King (Oxford University Press, 2019).

JF: What led you to write Bosom Friends?

TB: Bosom Friends began as the first chapter of my dissertation at Cornell University. One of my central research questions since graduate school has been the role of bachelors, and more generally the unmarried, in U.S. politics before the Civil War. From bachelors, I came to the historical category of friendship, about which I wrote my first article, published in Pennsylvania History in 2013. In the dissertation, I looked at several examples of intimate male friendships in the antebellum period, but for the book, I decided to dig deeper into the relationship of James Buchanan of Pennsylvania and William Rufus King of Alabama. Given that the focus had shifted from a range of actors to just two individuals, I decided to write the book as a dual biography.

Famously, James Buchanan is our only bachelor president (or more properly, the only president never to marry, since Grover Cleveland was elected a bachelor in 1884). Less well known to history is William Rufus King, who was elected vice president under Franklin Pierce in 1852. King is perhaps most widely remembered for being the only president or vice president ever inaugurated outside the United States, having done so on his deathbed in Matanzas, Cuba. The pair, Buchanan and King, served together in the U.S. Senate from 1834 to 1844, during which time they often lived together. From there, the bosom friends separated, but their correspondence increased, which reveals a portrait of two Democratic bachelor politicians striving to obtain power. While both men lived, they wanted nothing more than to unite the North and the South in a bachelor ticket; however, it did not come to pass.

JF: In 2 sentences, what is the argument of Bosom Friends?

TB: My book argues that an intimate male friendship shaped the political and personal lives of James Buchanan of Pennsylvania and William Rufus King of Alabama. I reveal the many intricacies of their conjoined lives and, in the process, help to clear up much misinformation about the pair.

JF: Why do we need to read Bosom Friends?

TB: The relationship of James Buchanan and William Rufus King is interesting both in a historical and historiographic sense. I find it fascinating how interpretations, both among academics and the general public, have changed about the pair. There’s no getting around the fact that, today, most people assume that they were gay and, further still, that they shared a sexual relationship. My book takes a different approach, as I read the evidence more carefully within the historical context of intimacy in nineteenth century America. For this reason, readers can expect a reassessment of what they think they know about manhood, friendship, sexuality, and politics in the era before the Civil War.

JF: When and why did you decide to become an American historian? 

TB: I credit an excellent high school teacher for my initial interest in American history. My class read Thomas Bailey’s American Pageant, and I was hooked. The narrative style, the memorable descriptions (John Adams as “frosty” lingers in my memory), and the idea that the past, somehow, actually mattered to the present made their impression upon me. I have always enjoyed the ebb and flow of the antebellum period—I like the contingency of events, the colorful characters who populated David Potter’s The Impending Crisis, and the sense that maybe, just maybe, the war could have been prevented. Beyond the graduate training that I received at SUNY Stony Brook and Cornell University, I realized that those initial passions for the causes of the Civil War are like a deep reservoir of historical research to which I come back to again and again.

JF: What is your next project?

TB: I am currently working on a history of the Democratic Party from its early origins in the Federalist era to its unraveling in the 1920s. Tentatively titled “The Party of No: When the Democrats Were Conservative,” I want to understand the longer history of an important question that I am often asked, a version of which: “When did the Democratic Party and the Republican Party switch their politics?” I think a study, part biographical of party leaders and part political history of the period, would help to explain the events that preceded this change.

JF: Thanks, Tom!

The Author’s Corner With Matthew Clavin

ClavinMatthew Clavin is Professor of History at the University of Houston.  This interview is based on his new book The Battle of Negro Fort: The Rise and Fall of a Fugitive Slave Community (New York University Press, 2019).

JF: What led you to write The Battle of Negro Fort?

MC: I am captivated by stories of extraordinary slave resistance that have for a variety of reasons been largely forgotten. Historians have known about Negro Fort for a long time, but I wanted to bring the story of its rise and fall to a wide audience. More than ever, it is vitally important for professional historians to communicate directly with the general public, especially regarding the long and complicated history of race and racism both in the United States and the world.

JF: In 2 sentences, what is the argument of The Battle of Negro Fort?

MC: The Battle of Negro Fort marked a significant moment in early American history. By destroying a fugitive slave community in a foreign territory for the first and only time in its history, the United States government accelerated its transformation into a white republic, which served both the interests and the ideology of an emerging Slave Power.

JF: Why do we need to read The Battle of Negro Fort?

MC: The demonization of people of color on the opposite side of the United States’ southern border is not a new phenomenon. Indeed, American citizens and officials have long referred to these people as murderers, savages, and the like to score political points and secure what they considered important public policy. Following the War of 1812, slavery’s proponents depicted Negro Fort as an existential threat to the southern frontier. Eventually, they were able to convince the federal government to launch an illegal invasion of Spanish Florida to kill or capture the fort’s black inhabitants. The Battle of Negro Fort illuminates how—and why—in the four decades since the Declaration of Independence, much of the American republic’s ambivalence over the institution of slavery had disappeared.

JF: When and why did you decide to become an American historian?

MC: Since I was little, I have always been fascinated with the history of race and racism. While writing my senior thesis in college on nonviolent direct action and the Civil Rights Movement, I first considered the idea of research and writing history professionally. It wasn’t long after turning in that paper that I decided that I had to become an historian. A lot of people told me that I could never be a historian. I am so glad I did not listen to them.  

JF: What is your next project?

MC: I am currently writing a book that examines the intersection of slavery, anti-slavery, and nationalism in the United States in the decades before the Civil War. The goal is to show just how much love of the American nation justified and inspired revolutionary slave resistance.

JF: Thanks, Matthew!

The Author’s Corner With Bryan Rindfleisch

GalphinBryan Rindfleisch is Assistant Professor of History at Marquette University.  This interview is based on his new book George Galphin’s Intimate Empire: The Creek Indians, Family & Colonialism in Early America (University of Alabama Press, 2019).

JF: What led you to write George Galphin’s Intimate Empire?

BR: The idea for the book started with a one-off conversation I had with my mentor – Joshua Piker – as a second semester doctoral student at the University of Oklahoma. I was toying with all sorts of different ideas for a dissertation project, but none of them really stuck. Then, Josh mentioned “George Galphin” and how curious this one man’s life was, who popped up all over the place in the documentary record related to the Creek (Muscogee) Indians and European empires in the eighteenth-century, but only leaving fragmentary details along the way. Josh said something to the effect of “see what you can find out about him,” and from there I ran headlong down the rabbit hole. My first research seminar paper revolved around Galphin and the Lower Creek towns of Coweta and Cusseta during the American Revolution, and it was at that point I knew I had something. Yet in the course of my research over the next seven years, I discovered that the story was not about Galphin per se, but about the multitude of family members – immediate and extended relatives who were Creek Indian, African American, Irish, and Anglo-French – that he surrounded himself with throughout his life. And in a sense, I’ve been living with the Galphin family ever since.

JF: In 2 sentences, what is the argument of George Galphin’s Intimate Empire

BR: Among the several arguments I make in the book, the most important is that empire and colonization were far from impersonal processes, but intensely intimate and revolved around the families who made the empire possible or real on the ground, and these families were oftentimes intercultural. I also demonstrate how Creek peoples, and Native Americans writ large for that matter, are not only essential parts of the early American story, but critical partners – at times even purveyors of empire – as much as they were opponents of empire in the eighteenth century, because of the family/kinship ties they fostered with imperial subjects like Galphin.

JF: Why do we need to read George Galphin’s Intimate Empire?

BR: While I’d love to say that everyone needs to read my book, that’s a pipe dream. First of all, it’s a first book and – of course – there are stories left out, ideas unrealized, and other things that I am sure book reviewers will point out soon enough (half-joking). And while I hope my arguments speak to the broader field of early American history, I’m also engaging with a particular niche in early American and Native American history: the American and Native Souths. However, the book grapples with a number of themes and events that are relevant to many audiences, be it family and kinship, immigration, empire and colonization, intercultural relationships and violence, slavery, the Seven Years’ War, the American Revolution, among others.

JF: When and why did you decide to become an American historian? 

BR: I only gravitated toward history as an undergraduate student at the University of Wisconsin – Eau Claire because I learned the hard way that I didn’t want to be an elementary school teacher! I believed I was “good” at history in high school – yes, the memorization of events and dates – and like many of our undergraduate students, I was obsessed with World War II and other global conflicts, therefore I decided to major in history. It was only when I took Native American History with Richard St. Germaine (Lac Courte Oreilles Ojibwe) that I realized how flawed my understanding of history was, as he literally threw my world upside down. Because of St. Germaine, I double-majored in American Indian Studies and history, and knew that I wanted to educate others in the same way that he had re-educated me.

JF: What is your next project?

BR: I’m currently working on two book projects. The first revolves around the intra-Indigenous connections – kinship, cultural, ceremonial, political, economic, linguistic, etc. – between the Creek and Cherokee peoples during the seventeenth and eighteenth centuries. I’m hoping for this project to be an intervention of sorts in Native American and early American history, by reorienting scholars’ attention to the intra-Indigenous world that existed side-by-side, and at times proved more important than, the Indigenous-European world.

The second project is a microhistory focusing on a particular Creek family over the course of the eighteenth-century, to illustrate the various themes and events that defined the Indigenous/Creek and early American worlds. This book is an outgrowth of my frustrations as a teacher, in which undergraduate students often have a hard time investing themselves in a distant past (early America) or unfamiliar histories (Native America). Over the past couple of years, though, I realized that the particular stories I tell about Native America and early America matter a great deal (duh!), as students more readily embrace stories and the individuals within those stories to understand such histories. This project is my attempt to do the same in my writing/research, by following two Creek brothers – Escotchaby and Sempoyaffee of Coweta – and their family and clan relatives to illustrate the many themes and events that defined the Native American and early American worlds, as well as the profound transformations ushered in by the Seven Years’ War and American Revolution to both Indigenous and early American worlds.

JF: Thanks, Bryan!

The Author’s Corner with David Kirkpatrick

KirkpatrickDavid C. Kirkpatrick is Assistant Professor of Religion at James Madison University.  This interview is based on his new book A Gospel for the Poor: Global Social Christianity and the Latin American Evangelical Left (University of Pennsylvania Press, 2019).

JF: What led you to write A Gospel for the Poor?

DK: Writing this book was an exciting journey that took me to five countries and allowed me to interview fascinating characters around the world. I was especially motivated to bring the voices of marginalized yet deeply influential Christians into established and ongoing conversations. As I started the project, I began to uncover ways in which the influence of Latin Americans had been hidden or excluded, including through translation and adoption by American leaders. As a Spanish speaker myself, I was also motivated to translate Spanish materials for an English-speaking audience and to narrate the ways in which these leaders navigated their bilingual world. At times, progressive Latin American evangelicals used their bilingualism to their advantage, saying one thing in English and another in Spanish. This type of historical recovery motivated me throughout the project. But more importantly, I think their story was worth telling: A Cold War generation of Latin Americans who demanded a place at the table of global evangelical leadership, seeking to strip Christianity of its white, middle-class, American packaging. Within a fraught and contested space, they sought to construct a gospel for the poor.

JF: In 2 sentences, what is the argument of A Gospel for the Poor.

DK: In A Gospel for the Poor, I argue that the intellectual scaffolding of the Evangelical Left was built not in the American public square but in Cold War Latin America. In this context, transnational conversations provoked the rise of progressive evangelical politics, the explosion of Christian humanitarian organizations, and the infusion of social justice into the very mission of evangelicals around the world and across a broad spectrum of denominations.

JF: Why do we need to read A Gospel for the Poor?

DK: A Gospel for the Poorfuses the worlds of Pope Francis and Billy Graham. Many of the main characters in the book are familiar to readers—Graham, John Stott, Carl F. H. Henry, Stacey Woods (founder of InterVarsity-USA), Gustavo Gutiérrez, and others. This story not only recasts well-known Christian leaders but also argues for the importance and inclusion of lesser-known activists such as René Padilla, Orlando Costas, and Samuel Escobar. In order to do so, I utilized a far-flung set of archival materials mostly outside the United States—dusty boxes in René Padilla’s Buenos Aires garage, binders in Samuel Escobar’s apartment in Valencia, Spain, John Stott’s travel diary at Lambeth Palace library in London, long-thought-lost meeting minutes from Seminario Bíblico in San José, Costa Rica, papers of the International Fellowship of Evangelical Students in Oxford, and, of course, the collections at Wheaton College to name a few. Alongside bilingual interviews, this subaltern dataset flavors the narrative and reframes key events and leaders.

A Gospel for the Poor seeks to answer key questions about progressive Christianity such as, why did many evangelicals in the North greet these ideas as family rather than foein contrast to their reaction to the so-called Social Gospel of the late nineteenth and early twentieth centuries? Thus, we turn not to centers of power but to a revolutionary Latin American university environment, examining a cluster of political and social forces reshaping the post-war Americas:  rural-urban migration flows, the resulting complications of urbanization, and the rapid expansion of the universities, where Marxist ideas of revolutionary change presented a growing appeal to students around the world. In turn, this produced a renaissance of social Christianities in the U.S. and buttressed an increasingly interventionist evangelical foreign policy, as well.

For the Evangelical Left, they required theological justification for their political action and when searching for words to describe a gospel for the poor, key members turned to the Global South and language that was forged within the Cold War. In the words of Emerging Church leader Brian McLaren, the Latin American Evangelical Left provided a “different theological ecosystem.”

Ultimately, A Gospel for the Poor contributes to an exciting ongoing conversation on evangelical internationalism and social Christianity. In this story, progressive Latin Americans became trailblazers, playing the role of controversial truthtellers and prophets, bringing to bear the reality of the Majority World into the consciousness of powerbrokers in the North. The role of progressive Latin Americans as a bridge between younger, emerging evangelical leadership in the Global South and the evangelical establishment was crucial to the task of challenging loyalties. In fact, it is fair to say that one cannot understand the contextual turn of global evangelicalism in the postwar period without understanding their role within it.

JF: When and why did you decide to become a historian?

DKMy path to becoming an historian of World Christianity was rather circuitous. I have long been fascinated by the relationship between the United States and Latin America, with all their crucial intersections whether migration, religion, or politics. In college, I studied Spanish and lived in Oaxaca, Mexico, between my sophomore and junior years. Through many journeys prior and since, I fell in love with Latin American culture and history. In conversations and research, the shadow of the United States was ever-present. In grad school, I fell in love with archival research and interviewing—a love relationship that still motivates my work. But perhaps more than anything, two mentors shaped my journey as an historian—Doug Sweeney at TEDS and Brian Stanley at Edinburgh. They took me under their wing and, through hundreds of hours of mentorship, taught me how to think, research, and write. To me, they are also tremendous examples of Christian voices in our contentious contemporary world. I wouldn’t be where I am today without them.

JF: What is your next project?

DK: I have two current book projects that are well under way, both surrounding the issue of global religious violence. I am co-editing a collection of essays with Jason Bruner provisionally titled A Global Vision of Violence: Persecution, Media, and Martyrdom in World Christianity. We have a tremendous lineup of scholars with diverse perspectives. My second monograph is titled Blood and Borders: Violence and the Origins of the “Global War on Christians.” Blood and Borders situates American evangelicalism within in a transnational frame and foreground religious violence against Protestants in Latin America. It provides a fresh take on how American evangelicals view themselves, their neighbors, and their place in the world—a world that declared war on their perceived global family.

DK: Thanks, David!

The Author’s Corner With William Nelson

Nelson pluribusWilliam E. Nelson is Judge Edward Wienfeld Professor of Law at New York University. This interview is based on his new book, E Pluribus Unum: How the Common Law Helped Unify and Liberate Colonial America, 1607-1776 (Oxford University Press, 2019).

JF: What led you to write E Pluribus Unum?

WN: I decided to write a multi-volume history of colonial American law, of which E Pluribus Unum is a one-volume summary, because I knew that a massive amount of colonial courts records existed, that someone should study them, and that NYU Law School would support my study. Courts were the primary instrumentality of colonial government, and I believe the most important job of historians is to explain how government has worked in the past so that the people can better appreciate how to make it work for them in the present.

JF: In 2 sentences, what is the argument of E Pluribus Unum?

WN: The book traces how the early colonies had a variety of legal systems and how King Charles II and King James II for lack of other means decided to use lawyers and the common law to bring unity and effective governance to their colonies. For half a century, lawyers governed effectively on behalf of the Crown, but beginning with the Zenger case in 1735 and continuing in a series of cases thereafter, lawyers assumed an increasingly oppositional role, with the result that by the 1770s they were the leaders of the Revolutionary movement.

JF: Why do we need to read E Pluribus Unum?

WN: One reason to read the book is to understand the importance of law and local power in the DNA of the American nation; the nation still does not have bureaucratic national institutions that are capable of governing without the help of law and local power. The book also reports on significant details, such as the origins of judicial review of legislation during the Stamp Act controversy and the role of debt collection in the breakup of slave families and communities.

JF: When and why did you decide to become an American historian?

WN: In my last year of college, I couldn’t decide whether I wanted to practice law or become a history professor. The minute I arrived at law school, it became clear that the right path for me would be to become a law professor whose scholarly focus was on history.

JF: What is your next project?

WN: My next book is a comparative study of New York and Texas law in the 20th century, with a goal of striving to better understand what differentiates conservatives in places like Texas from liberals in places like New York.

JF: Thanks, Bill!

The Author’s Corner With Kelly Ryan

RyanKelly A. Ryan is Dean of the School of Social Sciences and Professor of History at Indiana University-Southeast.  This interview is based on her new book Everyday Crimes: Social Violence and Civil Rights in Early America (New York University Press, 2019).

JF: What led you to write Everyday Crimes?

KR: When I was researching my first book, I ran across records of abused wives in the revolutionary era and early republic who had the courage to report their husbands to a local justice of the peace. I was surprised by the activism of these women as we know that reporting abuse often leads to greater violence. I wondered about the resistance of slaves and servants –  two other groups categorized as legal dependents – and whether or not they had more or less success in stymying the violence of their masters. Focusing on these groups and newly freed African Americans from the colonial era through the early republic allowed me to get a glimpse of whose voices were privileged and the many ways that legally and socially subordinated individuals fought for their human and civil rights in a society that did not value them as highly as their social superiors.

JF: In 2 sentences, what is the argument of Everyday Crimes?

KR: Everyday Crimes argues that the resistance of wives, servants, slaves, and free African Americans to violence expanded their human and civil rights.  Although it was dangerous to contest assaults, legal and social dependents obtained greater access to legal rights to sue and offer testimony, expanded divorce and separation options, saw alterations in slave codes, and the emergence of emancipation statutes.

JF: Why do we need to read Everyday Crimes?

KR: In the past few years, our society has grappled with whose voices are privileged in cases of assault and murder. Everyday Crimes shares stories of the victims of violence and the ways our legal and social system indemnified some prosecutors of violence from condemnation. It’s important for Americans to understand how our history is a legacy that continues in the modern era, even as African Americans, women, and children have access to civil rights. We must keep searching for ways to better protect Americans and prevent violence.

JF: When and why did you decide to become an American historian?

KR: Like most historians, my interest in history stems from amazing teachers in high school and college. Maryknoll High School in Honolulu, Hawaii had passionate instructors of United States, European, and Asian history who taught history as a way of understanding our modern world. I was interested in a great number of things when I arrived at George Mason University in Fairfax, Virginia as a first year student, but the history professors there, most importantly Lawrence Levine and Howard Smead, made history relevant to everyday life and taught with such great joy. It was infectious. Moreover, I felt that history allowed me to continue focusing on my love of art, anthropology, and literature because all are sources of inspiration and research for historians.

JF: What is your next project?

KR: After 15 year of being a professional historian, I have so many stories connected to sexuality and violence in early America that I have not been able to tell as part of my previous scholarship.  I’d like to bring more of a biographical focus to the men and women who have encountered our criminal justice system. I’m really interested in sharing some of the information I’ve gathered about how early constables and police have been victims of and prosecutors of violence. I also have two forthcoming chapters in planned series edited by other scholars in the Routledge History of American Sexuality and the Cambridge History of the American Revolution.

JF: Thanks, Kelly!

The Author’s Corner With Ian Saxine

PropertiesIan Saxine is Visiting Assistant Professor of History at Bridgewater State University.  This interview is based on his recent book Properties of Empire: Indians, Colonists, and Land Speculators on the New England Frontier (New York University Press, 2019).

JF: What led you to write Properties of Empire?

IS: During the course of my early graduate research, I was surprised by the extent to which British would-be colonizers in northern New England centered their own property claims on deeds from the Indians. I was struck by the irony of building an empire on the legal foundation of Indigenous land ownership, especially as I discovered that—for various and usually self-interested reasons—major land speculators took this process seriously, with profound implications for Anglo-Indian relations for close to a century. Indigenous Wabanakis’ success in driving debates about land ownership in the region spoke to my larger interest in how early modern people managed to often profoundly influence empires not designed for their benefit.

JF :In 2 sentences, what is the argument of Properties of Empire?

IS: Properties of Empire argues that for over a century, Wabanakis, colonists, and land speculators on the northern New England frontier engaged in a sustained struggle to re-interpret seventeenth-century land transactions, each driven by different beliefs about the nature of land ownership. The clash of those ideas led to the rise and eventual demise of a relationship between Wabanakis and elite land speculators based on a shared reliance on Indigenous land rights.

JF: Why do we need to read Properties of Empire?

IS: An important part of colonial history is the story of property creation— in types of labor, finance, and land. Indigenous people and their property systems (broadly defined) have always been a significant part of that history, albeit a generally neglected one. Properties of Empire highlights how Native Americans and different groups of colonists struggled to define the nature of land ownership, and what responsibilities that entailed. The book therefore presents a more detailed picture of how ordinary people shaped both the formation of property and how the British Empire functioned.

Looking over broader span of American history, settlers have tended to justify their dispossession of Native people by denying the reality of Indigenous systems of property and resource use. At the same time, there has been a widely-shared tendency to generalize centuries of Indigenous-settler interaction as unchanging, whether to indict current U.S. policy or to excuse it. Properties of Empire isn’t arguing that the British Empire was a force for good in Indian Country, but it emphasizes that the U.S. policy of nullifying Native property rights was a radical departure from British practice, rather than an unthinking continuation. Properties is therefore not just the story of how Indians, colonists, and speculators tried to reconcile different concepts of landownership, but vital context for understanding United States Indian policy and Indigenous responses to it.

JF: When and why did you decide to become an American historian?

IS: I consider myself an early modernist who specializes in North American and Atlantic history, as opposed to an American historian. From an early age, I was fascinated by stories from the past that seemed more incredible than anything in fiction. It helped that I was raised by two schoolteachers who fostered my intellectual curiosity early on. Studying with James Merrell as an undergraduate at Vassar College gave focus to generalized interests while showing me the rewards of intensive attention to detailed research.

JF: What is your next project?

IS: There are two in the works!

Kristalyn Shefveland and I have started work on an edited volume arguing that the half- century from c.1675-c.1725 deserves study as a distinct era of North American and Atlantic history. The project involves over a dozen scholars specializing in regions from New Mexico to the Netherlands, and argues that the fifty years of wars, revolutions, and upheavals among European Atlantic empires and Native American nations stemmed from related factors, playing a pivotal role in fostering the eighteenth-century conditions of more hierarchical imperial societies, an interconnected Atlantic World, Anglophone commercial hegemony at sea and corresponding demographic ascendency in North America.

Alongside this collaborative project, I’ve been working on the first scholarly monograph about a 1720s war in the American northeast with many unsatisfying names (Dummer’s War is the most common) and fascinating implications. The working title is The End of War, and it frames this sprawling conflict between the Wabanaki Confederacy and its allies against several British colonies as the final, violent working out of the consequences of the great European Peace of Utrecht (1713) and the resolution of a half-century of instability and bloodshed in the American Northeast. The book argues that Massachusetts—which led the colonial belligerents—was ultimately forced to the peace table due to what today would be called public relations concerns. I see it as continuing my interest in the ways early modern empires often functioned in ways that frustrated the plans of colonists on the ground.

JF: Thanks, Ian!

The Author’s Corner With Benjamin Armstrong

ArmstrongBenjamin “BJ” Armstrong is Assistant Professor of War Studies and Naval History at the U.S. Naval Academy. This interview is based on his new book Small Boats and Daring Men: Maritime Raiding, Irregular Warfare, and the Early American Navy (University of Oklahoma Press, 2019)

JF: What led you to write Small Boats and Daring Men?

BA: As a naval aviator for sixteen years I flew helicopter missions and worked with Sailors on our amphibious ships, Marines, SEALs, allied navies, agents from the Drug Enforcement Administration, international police units, and the rest of the U.S. armed forces on missions ranging from counter-piracy to anti-terrorism and counterinsurgency, and anti-smuggling and maritime law enforcement. At its most basic level I entered my academic research wanting to understand the contemporary missions I was involved with as a naval officer, and what their historical antecedents were. Along the way it also led me to questions of strategic theory, the U.S. Navy’s culture and self-image and its legacy of focusing on blue waters and battle fleets, and how our naval and maritime history fits in as a part of Early American history.

JF: In 2 sentences, what is the argument of Small Boats and Daring Men?

BA: Rather than a secondary and lesser element of how the U.S. Navy and Marine Corps did their jobs in the era of the Early Republic, maritime raiding and irregular warfare were fundamental components of how they operated in both wartime and during peace. This suggests that the strategic concept of guerre de razzia, or war by raiding, was an important “third way” in naval warfare in the early 19th century, and may still be important for naval strategy today.

JF: Why do we need to read Small Boats and Daring Men?

BA: For those interested in the history of the Early Republic, Small Boats and Daring Men offers a view of the era’s maritime and naval history that looks beyond the big battles and oceanic missions where we tend to focus our attention. Instead it shows the less studied history of operations in the muddy waters of coasts and rivers, and does so with what Dr. Kori Schake from the International Institute of Strategic Studies (IISS) called some “swashbuckling” great stories. For those who are more focused on our contemporary maritime world, and what some leaders have termed the return of Great Power competition, Small Boats and Daring Men offers a view of how navies participate in conflict and competition outside the traditional view of big “decisive” sea battles.

JF: When and why did you decide to become an American historian?

BA: My interest in history was initially sparked by my high school teacher Joe Thomas at West Morris Central High School in New Jersey. His classes forced me to begin to think in a wider context, and frankly to learn to start writing better. Knowing that I aspired to attend the Naval Academy, he was also the first person to hand me a copy of The Influence of Seapower Upon History and assign me to read it. (Mahan went way over my head as a high schooler!) But I don’t know that I can pinpoint a moment when I decided to “become” a historian. It just sort of happened as an interest and a personal pursuit while I continued to rise through the ranks as a navy helicopter pilot. After tackling each challenge (writing my first article on the history of the squadron I was serving with, studying for a Master’s degree, working on scholarship for peer-review, thinking about pursuing a PhD), the next one just presented itself naturally until one day, here I am with my own book of Early American history on my shelf.

JF: What is your next project?

BA: Last year I had the privilege of serving on the staff that supported the Secretary of the Navy’s Education for Seapower review study. Over a 7 month long effort, we completed an in-depth study of how and why we educate the sailors, marines, and officers in the Navy and Marine Corps. This involved looking at everything from the different schools like the Naval Academy and Naval War College, to the personnel policies involved, to the budget priorities and cultural values and views of education. It was fascinating work and over the next year it will be interesting to see what kind of reforms begin to improve what the services do and how they prioritize education. In parallel with that work I received a fellowship in the USNA Humanities and Social Sciences Division, sponsored by Ernst Volgenau (USNA ‘55) via the Naval Academy Foundation, to study the pedagogy of sea power. I’m looking at sea power historians and theorists like Alfred Thayer Mahan and Julian Corbett and examining their teaching methods and how they engaged with the public and with teaching, beyond the research and writing of their famous books.

JF: Thanks BJ!

The Author’s Corner with David Dzurec

DzurecDavid J. Dzurec is Chair and Associate Professor of History at the University of Scranton  This interview is based on his new book Our Suffering Brethren: Foreign Captivity and Nationalism in the Early United States (University of Massachusetts Press, 2019).

JF: What led you to write Our Suffering Brethren?

DDThis project began when I came across the captivity narrative of Revolutionary prisoner of war John Dodge.  Initially I had planned to write about the experience of captivity during the American Revolution, but as my researched progressed it became clear to me that the impact of these Revolutionary captivity narratives stretched well beyond the 1780s and ultimately played a role in shaping American politics and culture in the first decades of the nineteenth century.  In addition to expanding chronologically, my research also broadened geographically ultimately including narratives from captive Americans in both Africa and Europe.  In examining these narratives, I was struck by how stories of captivity, even at a great distance, still had an impact on the politics and culture of the early United States.  It was an attempt to understand what role these stories played in shaping American political culture that led me to write this book.

JF: In 2 sentences, what is the argument of Our Suffering Brethren?

DDThe threat of foreign captivity in the decades following Independence simultaneously served to bring the American people together in defense of their fellow countrymen while dividing them along partisan lines.  Ultimately, the efforts of both Federalists and Republicans to claim the mantle of defender of American liberty abroad, while playing on fears of American insecurity, helped to create a language of American nationalism that would define American political culture.

JF: Why do we need to read Our Suffering Brethren?

DD: American nationalism (and nationalism more broadly) is often associated with bellicosity and empire.  Our Suffering Brethren demonstrates how the roots of American nationalism and the political culture that goes with it, sprang from a profound sense of insecurity in the early existence of the United States.  While a number of historians have examined how Cold War fears of the Soviet threat shaped American political culture in the 20th Century, I demonstrate that the exploitation of American insecurity abroad was present in the earliest days of American politics—and that it was employed across the political spectrum to advance political agendas.

JF: When and why did you decide to become an American historian?

DD: While there wasn’t one “aha” moment, I have been fortunate to have a number of great history teachers over the years who have helped me to develop a love of both the subject and the process of historical research.  The first “research paper” I ever wrote was on Thomas Jefferson when I was in fifth grade.  Thirty years later, I’m still essentially researching the same thing.  My high school history teacher, Mr. Cowan, brought an irreverence and energy to the study of the past that was infectious and inspired me to become a history major when I went off to college.  As both an undergraduate and graduate student I was fortunate to work with outstanding faculty who helped me become the historian I am today.

JF: What is your next project?

DD: Growing out of the research for this book, I’ve become interested in how the Federalists dealt with not only losing political power, but how they responded to the ultimate collapse of their party.  I’ve made an initial foray into this topic with my article “Of Salt Mountains, Prairie Dogs, and Horned Frogs: The Louisiana Purchase and the Evolution of the Federalist Party 1803-1812” and I’m excited to see where this project goes. 

JF: Thanks, David!