Some of you will remember Sean Wilentz‘s letter to The New York Times criticizing the newspaper’s 1619 Project. You can read it here. The letter is signed by Wilentz, Victoria Bynum, James McPherson, James Oakes, and Gordon Wood. With the exception of Wilentz, all of these American historians criticized the 1619 Project at the World Socialist Web Site.
After the publication of the letter, journalist Adam Serwer wrote a piece at The Atlantic titled, “The Fight Over the 1619 Project is Not About the Facts.” The subtitle reads: “A dispute between a small group of scholars and the authors of The New York Times Magazine‘s issue on slavery represents a fundamental disagreement over the trajectory of American society.”
Today The Atlantic published a longer piece by Wilentz on the subject. Here is a taste of piece “A Matter of Facts“:
The opportunity seized by the 1619 Project is as urgent as it is enormous. For more than two generations, historians have deepened and transformed the study of the centrality of slavery and race to American history and generated a wealth of facts and interpretations. Yet the subject, which connects the past to our current troubled times, remains too little understood by the general public. The 1619 Project proposed to fill that gap with its own interpretation.
To sustain its particular take on an immense subject while also informing a wide readership is a remarkably ambitious goal, imposing, among other responsibilities, a scrupulous regard for factual accuracy. Readers expect nothing less from The New York Times, the project’s sponsor, and they deserve nothing less from an effort as profound in its intentions as the 1619 Project. During the weeks and months after the 1619 Project first appeared, however, historians, publicly and privately, began expressing alarm over serious inaccuracies.
On December 20, the Times Magazine published a letter that I signed with four other historians—Victoria Bynum, James McPherson, James Oakes, and Gordon Wood. Our letter applauded the project’s stated aim to raise public awareness and understanding of slavery’s central importance in our history. Although the project is not a conventional work of history and cannot be judged as such, the letter intended to help ensure that its efforts did not come at the expense of basic accuracy. Offering practical support to that end, it pointed out specific statements that, if allowed to stand, would misinform the public and give ammunition to those who might be opposed to the mission of grappling with the legacy of slavery. The letter requested that the Times print corrections of the errors that had already appeared, and that it keep those errors from appearing in any future materials published with the Times’ imprimatur, including the school curricula the newspaper announced it was developing in conjunction with the project.
The letter has provoked considerable reaction, some of it from historians affirming our concerns about the 1619 Project’s inaccuracies, some from historians questioning our motives in pointing out those inaccuracies, and some from the Times itself. In the newspaper’s lengthy formal response, the New York Times Magazine editor in chief, Jake Silverstein, flatly denied that the project “contains significant factual errors” and said that our request for corrections was not “warranted.” Silverstein then offered new evidence to support claims that our letter had described as groundless. In the interest of historical accuracy, it is worth examining his denials and new claims in detail.
No effort to educate the public in order to advance social justice can afford to dispense with a respect for basic facts. In the long and continuing battle against oppression of every kind, an insistence on plain and accurate facts has been a powerful tool against propaganda that is widely accepted as truth. That tool is far too important to cede now.
Read the entire rest here. Whatever one thinks about Wilentz’s argument, it is hard to say that he is not making a case based on historical facts or offering a critique of the 1619 Project that is within the bounds of historical inquiry.