Kristalyn Shefveland is Associate Professor of History at the University of Southern Indiana. This interview is based on her new book, Anglo-Native Virginia: Trade, Conversion, and Indian Slavery in the Old Dominion, 1646-1722 (University of Georgia Press, 2016).
JF: What led you to write Anglo-Native Virginia?
KS: During my PhD program at the University of Mississippi, I took two seminars on the American colonies, with emphasis on the Southeast. One was a history seminar in which we discussed at length the Chesapeake school and the evolving issues of race, particularly as it related to the work of Edmund Morgan and Winthrop Jordan, and the seminal work of Powhatan’s Mantle. The other was an anthropology seminar in which we were introduced to the body of scholarship on the Eastern Woodlands and the emergence of the trade in skins and slaves. Out of these two courses I came away with many questions about the Stegg/Byrd family and the role of Virginia in the Indian slave trade. I was inspired by the work of Alan Gallay, Robbie Ethridge, and Charles Hudson and wanted to know more.
JF: In 2 sentences, what is the argument of Anglo-Native Virginia?
KS: Anglo-Native Virginia argues that attempts to regulate and control trade and indigenous peoples via a tributary system was at the foreground of Virginia’s native concerns from Governor Sir William Berkeley to Lieutenant Governor Alexander Spotswood. This tributary system and its accompanying categories and rules represent an era of deep upheaval in the indigenous communities of the coastal plain and piedmont, resulting in the enslavement of native peoples as the colonies used the frontier exchange economy to finance their emerging plantation complex.
JF: Why do we need to read Anglo-Native Virginia?
KS: As an interdisciplinary work of ethnohistory, I hope this book finds an audience in a number of venues, including but not limited to scholars of Atlantic trade, colonial settlement, Southern Studies, slavery studies, and Indigenous peoples. The book asks us to consider the central role that indigenous and colonial interaction played in the larger narrative of the plantation South. It asks us to look more closely at how trade with Native peoples shaped Virginia history as it transitioned from a fledgling colonial outpost to a settler society dependent upon slave labor. I argue that the Southeast cannot be understood without understanding Virginia and one cannot understand Virginia without understanding the tributary system. The framework of this project came from my interest in demonstrating the importance of Native history for broader narratives. Until fairly recently, Native peoples of Virginia have been in the background of important studies that have focused on the Atlantic slave trade, mercantilism, and the plantation economy. A full understanding of the important role that Virginia tributary and foreign Natives played in the trade in skins and slaves as it relates to the Atlantic economy and mercantilism has been the subject of important recent scholarship and I think my work complements this emerging field.
JF: When and why did you decide to become an American historian?
KS: I started writing stories at an early age and they always had a historical element. I split my childhood between the small Mississippi river town of Wabasha, Minnesota and a suburb of Cleveland, Ohio. I was always drawn to the historic sites of the two very different communities, one barely 2,500 people and the other a sprawling rustbelt town where suburbs converged into one another. In Minnesota, I was raised on the history of Euro-Native interaction, trade and settlement, and the folklore of the river valley. Across the river in Wisconsin was the Big Woods that Laura Ingalls Wilder wrote about and the town of Maiden Rock. In sum, I always loved a folktale and a yarn, a lifelong love affair that my parents greatly encouraged by going through historic towns and stopping at roadside markers, even when it added an hour or three to our regular road trips to Minnesota or Florida. In Ohio, I had the opportunity to work with an incredible high school teacher, Steven Abbey, who allowed me to take independent studies on a wide variety of historical topics and then I had the pleasure to attend Bowling Green State University where I studied under the Great Lakes historian, Edmund Danziger. He fostered my love of stories and helped to guide my scholarship towards the field of ethnohistory. In his seminar courses as well as the eye-opening classes I got to take with the Latin American historian, Rob Buffington, I knew that I wanted to pursue the field of history beyond undergrad. I was lucky to land at the University of Mississippi to work in interdisciplinary collaboration on indigenous peoples with Sheila Skemp and Robbie Ethridge. In a bit of kismet, I moved south to study peoples who came originally from Lake Erie.
JF: What is your next project?
KS: I am currently at work on a book on historical memory of indigenous peoples in Florida, particularly the town of Vero Beach, on the Indian River. This is a project of personal importance to me as it is a place I have known all my life and yet its deeply manicured history of settler pioneers and adventurous rogues reveals an incomplete narrative. I came to this study because of a large Spanish-mission style building that overlooks the town center with a relief carving of Pocahontas. Indian River produce advertisements from the 1880s-1970s depict idyllic jungle scenes, complete with friendly and noble Indians of vaguely Plains motifs—a vision at odds with the region’s indigenous past. Yankees, calling themselves pioneers and colonizers, moved to the region in waves throughout the early 20th century, viewing Southerners with scorn as the wealthy Northern investors built empires of citrus and sugar.
The Indian River Farms Company of Davenport, Iowa made the greatest strides toward conquering Florida. While settling the region, the company created a romantic narrative to sell land to potential Yankee colonizers. Street names included Seminole, Osceola, Cherokee, Mohawk, Kickapoo, and Ute. Buildings included the Chief Sleepy Eye Lodge and the Pocahontas Arcade. All names considered “picturesque” by would be settlers. Situating these endeavors within the broader context of Yankee imperialism in the Caribbean, particularly Cuba, I am reconsidering the legacy of a colonial southern past alongside the emergence of the vacation south to explore its potential impact on studies of the Indigenous south.
JF: Thanks, Kristalyn!