George W. Bush is taking a lot of heat for this:
If you think that Bush’s dancing and moving to the beat of the “Battle Hymn of the Republic” was inappropriate for a memorial service, check out this piece at The Atlantic.
Here is a taste:
It has come to the attention of our editorial board—a group of august, Harvard-educated, middle-aged Boston Brahmins in tweedy suits sitting at heavy wooden desks and smoking fine pipe tobacco * —that there’s a controversy afoot involving “The Battle Hymn of the Republic.” To wit, former President George W. Bush is being criticized for swaying just a little too zestily during a rendition at Tuesday’s memorial service in Dallas for five police officers killed by a gunman…
Let us (we tweedy band of editors) stipulate that this is hardly the most important or momentous news of the day. Let us stipulate further, however, that as the periodical that first published Julia Ward Howe’s abolitionist poem, The Atlanticfeels a special obligation to weigh in on the matter.
So here it is: Eh, let the guy be.
Look, any criticism delivered can only pale in comparison to the greater penalty Bush faces in this case, which is for anyone to watch this video, in which he looks like—to use the scientific term—a doofus. The true star of this clip is First Lady Michelle Obama, who looks at Bush with what looks like affectionate shade and helpless embarrassment as he rocks out, even as the rest of the dais stands somberly. But when the choir hits the chorus (“Glory, glory hallelujah!”) both Obamas seem to get into the act, swaying along with Bush.
Two points here: First, it’s not the case that getting in the spirit and even laughing are incompatible with memorializing the dead, a point made eloquently by Obama’s own rendition of “Amazing Grace” at a memorial in Charleston for those slain at Emanuel AME Church. Second, it’s the “Battle Hymn of the Republic,” not the “Battle Dirge of the Republic.” The tune was borrowed from a religious camp meeting song, and even before Howe wrote her lyrics, Union soldiers hadadopted it as a marching song, under the name “John Brown’s Body….”
In short, it’s a song made for movement, not stiffness.
In conclusion, leave Dubya alone.
Read the entire post here.