“A suit of tar and turkey-buzzard feathers”

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Samuel Seabury

The Monmouth County, New Jersey Committee of Observation and Inspection REALLY didn’t like the pamphlet Free Thoughts on the Resolves of the Congress.  The author of the pamphlet was listed as “A.W. Farmer,” a pen name for Westchester, New York Anglican minister Samuel Seabury.  Some of you recognize Seabury from the musical “Hamilton.”

Here is a taste of the Committee’s minutes from March 1775:

At an early meeting of said Committee, a pamphlet entitled Free Thoughts on the Resolves of the Congress by A.W. Farmer, was handed in to them and their opinion of it asked by a number of their constituents then present.  Said pamphlet was then read, and upon mature deliberation unanimously declared to be a performance of the most pernicious and malignant tendency; replete with the most specious sophistry but void of any solid or rational argument; calculated to deceive and mislead the unwary, the ignorant, and the credulous; and designed no doubt by the detestable author to damp that noble spirit of union, which he sees prevailing all over the Continent, and if possible to sap the foundations of American freedom.  The pamphlet was afterwards handed back to the people, who immediately bestowed upon it a suit of tar and turkey-buzzard’s feathers; one of the persons concerned in the operation justly observing that although the feathers were plucked from the most stinking fowl in the creation he though they felt far short of being a proper emblem of the author’s odiousness to every advocate for true freedom.  The same person wished, however, he had the pleasure of fitting him with a suit of the same materials.  The pamphlet was then in its gorgeous attire, nailed up firmly to the pillory post, there to remain as a monument of the indignation of a free and loyal people against the author and vendor of a publication so evidently tending both to subvert the liberties of America and the Constitution of the British Empire.

Apparently violence was not only directed toward other human beings during the American Revolution.  It was also directed to pamphlets!

Prayer Books and the American Revolution

Book_of_common_prayer_1662Over at the U.S. Intellectual History blog, Sara Georgini of the Massachusetts Historical Society examines the impact of the American Revolution on Boston Anglicans through a close reading of their prayer books.  Georgini describes the “humble prayer book” as “a key intellectual artifact of the revolution.”  In the process she also provides us with a nice little slice of revolutionary-era lived religion.

Here is a taste of her post:

Church records tell us half the tale of how people “lived” religion while turning their hearts and minds to full-scale war. But modern revolutions run on reading material, and all books have biographies. To get at early America’s shifting worship politics, let’s “track changes” in the Books of Common Prayer amended by Anglican and Episcopal laity in the 1770s and 1780s (shown here). As they changed ways of daily worship, Americans imprinted a new language of selfhood and statehood. They road-tested national rhetoric, long before they had any clear, constitutional vision of what that nation might look like. (For more, check out John Fea’s #ChristianAmerica? post, too). Parishioners moved around sacraments to suit new needs. The laity’s handwritten edits in prayer book margins—scraping off “King of Kings” and pasting over rote prayers for the royal family—operated as cultural cues for political change. At critical moments in the war, as colonists endured sieges and made sacrifices, they edited their prayer books to endorse turns in popular thought at the local level. During a holiday week when we think about declarations of independence big and small—and in a year marking the Protestant Reformation’s 500th anniversary—the humble prayer book still serves as a key intellectual artifact of revolution.

At the same time, these volumes were signs of consensus and communion in the Atlantic World. Books of Common Prayer first reached America’s shores alongside the earliest settlers. Often, the 1662 edition printed by London’s John Baskerville was formally issued to new American churches by the Royal Wardrobe. At Old North Church in Boston, vestrymen of 1733 opened a green-baize lined trunk mailed “from the Jewell Office.” Next to sterling silver communion plate, velvet pulpit cushions, and a Bible emblazoned with the royal arms, lay a second cache. Old North vestry received two prayer books, “bound in Turkey leather strung with blue garter ribbon and trimmed with gold fringe” and a dozen more for the community to share, all “bound in Calf Gilt & filleted & strung with blue Ribbon.” Prayer books were more than highly prized signals of royal favor. These worship aids consolidated five liturgical texts: daily offices, Litany, Holy Communion, pastoral offices, and the ordinal. As Rowan Williams suggests, the Book of Common Prayer outlines theological positions, but it is “less the expression of a fixed doctrinal consensus… more the creation of a doctrinal and devotional climate.” Across the Atlantic World, Anglo-American clergy used them to convey a community’s civilization, and learning. In fractured parishes, buying prayer books was often the sole purchase that everyone agreed on.

Read the entire post here.

The Author’s Corner with Kevin J. Hayes

GW BooksKevin J. Hayes, Emeritus Professor of English at the University of Central Oklahoma, now lives and writes in Toledo, Ohio. This interview is based on his new book, George Washington, A Life in Books (Oxford University Press, 2017).

JF: What led you to write George Washington, A Life in Books?

KJH: After finishing The Road to Monticello: The Life and Mind of Thomas Jefferson, I began searching for a similar project, that is, another intellectual life of a major figure in early American history. Once I started researching Washington’s life of the mind, other historians tried to discourage me, asserting that Washington had little intellectual life. My preliminary research told me different. The more I researched the more I realized I could tell a story of Washington’s life unlike any previous biography.

JF: In two sentences, what is the argument of George Washington, A Life in Books?

KJH: My book presents a biography of Washington that concentrates on how the books he owned and read shaped the man he became. Organized chronologically and thematically, George Washington, A Life in Books examines many different subject areas Washington studied — devotional literature, histories, travel writing, political pamphlets, agricultural manuals — and situates them within the context of his public and private life.

JF: Why do we need to read George Washington, A Life in Books?

KJH: Though there are numerous Washington biographies available, mine presents a fresh look at Washington, portraying him as both a reader and a writer. It provides a unique view of Washington’s life and adds a completely new dimension to the story of a man we thought we knew.

JF: When and why did you decide to become an American historian?

KJH: I chose to attend graduate school at the University of Delaware because it was one of the best places in the country to study American literature during the eighties. Professor J. A. Leo Lemay, a leading scholar of early American literature, informed me about the numerous opportunities in his field. In addition to the critical study of literature, the field of early American literature would let me pursue parallel interests in American intellectual history and the history of the book. Researching the literary history of early America, I could be both literary scholar and historian.

JF: What is your next project?

KJH: I write biographies. This summer, Reaktion, a London publisher, will release my next book, Herman Melville, as part of its series Critical Lives. Over the past few years I have unearthed a considerable amount of new information about Benjamin Franklin, which I am now incorporating in an book-length study of Franklin’s life and writings.

JF: Thanks, Kevin!

Jack Chick, Fundamentalist Writer of Tracts, is Dead

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Jack Chick, the author of hundreds of tracks instructing fundamentalists how to avoid the hell (and Catholics), has passed away.  Lest one think that Chick’s influence only extended to the evangelical subculture, it is worth noting that the New Republic has published a piece on his death.

Here is a taste of Sarah Jones’s obituary:

Chick, who produced hundreds of fundamentalist Christian tracts over 50 years, passed yesterday at the age of 92. He was initially known for tracts like “This Was Your Life,” which used compelling and sometimes frightening visuals to depict fundamentalist beliefs about hell and salvation. His contribution to the Satanic Panic rightfully earned him public infamy, as did his fear-mongering about feminism, LGBT rights, New Age spirituality, and even Catholicism.

Chick was a true cultural separatist whose doctrinal views were heavily influenced by works like The Fundamentals and Charles Finney’s Power From On High. Only the King James Version of the Bible sufficed; Satan is directly responsible for all other translations. Catholics? They’ve eaten the infamous Death Cookie and are doomed to hell. Infant baptism? Dangerous heresy! Dungeons and Dragons? If you have to ask, you’ve probably got one foot in the lake of fire already.

A few of Chick’s views, specifically on abortion, evolution, and LGBT people, possess a pernicious longevity. He celebrated AIDS as just deserts for anyone who didn’t adhere to his stringent sexual standards—a sentiment 14 percent of Americans still believe:

But in other respects, his obsessive cultural puritanism has fallen out of vogue. There are still some proponents, found mostly in Independent Fundamentalist Baptist churches and institutions like Bob Jones University and Pensacola Christian College, but they’re a minority, doomed partially by their own separatism. Evangelicalism dominates.

With that domination came the cultural acquiescence Chick so feared. Conservative Catholics and Protestants are now allies in the culture wars, and the targets of that war have shifted a bit. Nobody cares about Dungeons and Dragons these days, and it’s been a long time since anyone publicly burned a Harry Potter book. Young evangelicals (no survey separates evangelicals from fundamentalists) are softer than older generations on issues like evolution and LGBT rights. That’s a strong indication that Chick’s version of Christianity is set to become increasingly obscure.

This Chick tract was a classic.  I read it around the time of my conversion to evangelicalism as a high school student.

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The Author’s Corner with Jonathan Yeager

Edwards and PrintJonathan Yeager is UC Foundation Associate Professor of Religion at the University of Tennessee at Chattanooga. This interview is based on his recent book Jonathan Edwards and Transatlantic Print Culture (Oxford University Press, 2016).

JF: What led you to write Jonathan Edwards and Transatlantic Print Culture?

JY: I enjoyed researching and writing the last two chapters of my first book on the Scottish Presbyterian minister John Erskine (1721-1803). In these chapters, I discussed how Erskine helped disseminate and publish the works of several evangelical authors, including many of Jonathan Edwards’s posthumous books. While conducting research for these chapters, I benefited greatly from reading Richard Sher’s seminal monograph,
The Enlightenment and the Book: Scottish Authors and Their Publishers in Eighteenth-Century Britain (Chicago, 2007). Because Sher’s book was devoted exclusively to secular and theologically liberal Scottish Enlightenment authors, I thought that I might be able to make a scholarly contribution on eighteenth-century evangelicals and publishing. I discovered that no one has ever written on the history of Jonathan Edwards’s publications, and so I started to write an article on how his major works were published in the eighteenth century. I amassed so much material on Edwards’s publications–especially on the various people behind the scenes who helped publish his works–that I decided to write a full-length monograph on this topic.

JF: In 2 sentences, what is the argument of Jonathan Edwards and Transatlantic Print Culture?

JY: I make two major arguments that can be summarized as the following: First, even though Jonathan Edwards can rightly be described as a theological genius and the foremost American revivalist of the eighteenth century, much of his success was dependent on a host of booksellers, printers, and editors who helped publish his works before and after his death. Second, evangelicals like Edwards cared how their books appeared in print, even thought they worked harder at disseminating their works for evangelistic purposes than making profits from their publications.

JF: Why do we need to read Jonathan Edwards and Transatlantic Print Culture?

JY: There has been
a lot written about Jonathan Edwards. But nearly all the scholarship has focused on his life and thought. In order to have the fullest understanding of Edwards and other eighteenth-century authors, we need to examine the publishing history of their books. I want readers to see that Edwards’s ideas were packaged in a particular format, with various options in sizes, bindings, paper and font quality, and pricing that made a difference in the reception of his works. More importantly, a number of people, acting as booksellers, printers, and editors, made most of the decisions on how Edwards’s books should appear in print and how they should be marketed to the public. Edwards had a definite idea on how he wanted his books to look, but he did not know the best way to have them published so that they would be appealing to the public (without giving too much away, I show this in a few case studies within my book). Knowing all this to be true, I argue that we need to take a closer look at how individuals such as these contributed to his success as an internationally-recognized author.

JF: When and why did you decide to become an American historian?

JY: In 1998, I graduated with an undergraduate degree in business administration and then went on to work as a financial consultant for five years with two different brokerage firms in Florida. About halfway through my time as a broker, I became disillusioned with the business and began reading a lot of books on church history and theology. With my wife’s blessing, I resigned from my job in 2004, sold our house, and moved my family to Vancouver, Canada to study theology at Regent College. At the time that we moved, I simply wanted to gain more knowledge about Christianity. I was having so much fun in Vancouver learning about my faith, snow skiing, and hanging out with friends from multiple denominations all over the world, that after finishing a MA in Christian Studies, I stayed for an additional ThM degree in theology. In my last year in Vancouver, I began corresponding with David Bebbington, who helped me with a thesis that I was working on at Regent College under J. I. Packer. Later that same year, I was able to meet Bebbington in person, and he and I talked about studying history with him in Scotland. After much thought and prayer, my family and I decided to move to Scotland in late 2006 to begin my PhD. My time in Vancouver and Scotland highlight my twin interests of theology and history. I feel very fortunate to have a job that allows me to do research and teach in both fields. 

JF: What is your next project?

JY: My immediate plan is to write an article on the publication of Samuel Hopkins’s System of Doctrines (1793). This mammoth two-volume book by Edwards’s disciple became the first systematic theology of the so-called New Divinity movement, and helped shape the next generation of Edwardseans. After this project, who knows.

JF: Thanks, Jonathan!

The AAS Printers’ File Is Being Digitized

Printers fileThe American Antiquarian Society‘s Printers’ File contains information on 6000 people who were involved in the early American book trade. Emily Wells, a staff member at the AAS and an incoming College of William and Mary graduate student, will be working on the project this summer.

Here is a taste of her report at the AAS blog, Past in Present:

At present, this resource is only available to researchers who are able to visit the reading room and peruse the cards in person. To make the Printers’ File more easily accessible, AAS is working to digitize and transfer the information recorded on these cards to a linked open data resource. Not only will this resource make the Printers’ File available to anyone with a computer and internet access, but it will also allow researchers to answer complex research queries and draw connections between the people and places recorded within the scope of the project.

As the person hired to enter data, I am working to interpret and transfer the information written on the original typewritten cards to a digital environment while also helping to formulate guidelines that will standardize the data entry process. Through my work with the Printers’ File, I have discovered that there is a fundamental difficulty that arises when attempting to fit biographical information into a standardized format. To create a working dataset, one must determine the best way to field a person’s life experience, something that is inherently messy and complex, within the limits of a data entry form.

Read the entire post here.

Historians are very excited about this development, perhaps none more than Joseph Adelman of Framingham State University in Massachusetts.  Here is a taste of a post he wrote at his blog:

A few weeks ago I was grouchy about the prospects of closed digitization projects in early American history. This morning I’m ecstatic. At the Past is Present blog of the American Antiquarian Society, Emily Wells writes today about her experience working to digitize the AAS Printers’ File, a massive compendium of information about participants in the American printing trades from 1639 to 1820.

I’m particularly excited about this project because the research for my dissertation/first book so heavily relied on the twenty or so drawers of salmon-colored cards in the AAS reading room. In fact, the first summer after I moved to Massachusetts I spent several weeks doing nothing but go through the card catalog, drawer by drawer, to build my own database of printers from the 1750s to the 1790s for the purposes of my research.

If you read Wells’s post, you’ll see just how sophisticated she and her AAS colleagues have had to get in order to capture the complexity of biographical information on the cards (for which we all owe an enormous debt to Avis Clarke). To give you a comparison, let me show you the slide I used in a few job talks to discuss my database:

Read the rest of Joseph’s post here.

A Tour of the American Antiquarian Society

AASOur reports from the annual meeting of the Organization of American Historians in Providence last weekend continue to roll in.  Elise Leal is a Ph.D candidate in American history at Baylor University.  She is  working on dissertation on the relationship between evangelicalism, social reform, and childhood in the early nineteenth century with a particular focus on the American Sundays school movement.  Read all of her posts here. –JF

On the third day of OAH 2016, I participated in a special tour of the American Antiquarian Society. Six other conference attendees joined my bright and early Saturday morning for the drive to Worcester. I was the only graduate student, as the majority of the group were archivists, plus a high school history teacher. One of the archivists was a native of Massachusetts and regaled us with interesting historical facts about the state to help pass the time. For example, I learned that if you take the commuter rail from Worcester to Boston, it will take you just as long to get there today as it did in the late nineteenth century due to the slow speed of the trains.

We were greeted at the archive by Paul Erickson, AAS Director of Academic Programs, and James Moran, AAS Director of Outreach. They began the tour by sharing a brief history of the Society’s illustrious founder, Isaiah Thomas. A Revolutionary War era patriot and printer, Thomas was an outspoken promoter for independence in his newspaper, The Massachusetts Spy, which forced him to flee from Boston to Worcester in 1775 to escape being arrested by the British. In 1812, Thomas founded the American Antiquarian Society (then called the American Society of Antiquities) out of his personal library, creating the first historical society established in the United States with a national focus. The AAS now houses the largest collection of materials produced before 1820 and is surpassed in total collections size only by the Library of Congress.

One thing that I appreciated about the tour was that it was structured without being restrictive. After the brief historical overview, Paul and Jim took us through the main AAS Postcard.jpgreading room and upper conference room containing historical memorabilia (think commemorative china plates sporting Lafayette’s face or a grandfather clock belonging to John Hancock). They then spent the majority of the tour taking us through various archival stacks. Throughout this whole process, they let us wander around with a fair degree of freedom and allowed us to handle many of the historical documents. For example, the first archival room we visited housed the AAS’s extensive collection of eighteenth and nineteenth-century newspapers. Paul and Jim pulled a selection of these newspapers for us to view, and they generously let us pour over these documents to our hearts’ content (it definitely took awhile…) My personal favorite, though, was the next room, which housed the nineteenth-century literature, pamphlets, graphic arts, maps, and the like. Paul asked about our research interests a few days before the tour, and he had prepared a lovely stack of American Sunday School Union books for me to view. Of course, the Revolutionary War letters from British officers, eyewitness accounts of an eighteenth-century cross-dresser, the mid-nineteenth century Valentine’s cards, and the giant hand-drawn genealogies that he pulled for other tour members were pretty cool too.

Speaking of cool things, Paul pointed out a large collection of railroad sources that have never been viewed and said that he’d love to have someone come use them for a project. If there are any early stage graduate students reading this, I’ve just found you a dissertation topic. You’re welcome.

In all, this two-hour tour was definitely worth the trip to Worcester. I got a fascinating insiders view of how archives are run from two very engaging AAS staff members. I also got to view a range of rare historical documents, some of which I didn’t know existed let alone thought I would handle. Many thanks to the American Antiquarian Society, and to Paul and Jim in particular, for making my first OAH experience that much more enjoyable.

Newspapers and British Identity in 18th-Century Quebec City and Halifax

If you have not discovered Borealia, you should go check it out.  The editors of this blog are pushing us to expand our understanding of early America to include Canada. (Of course scholars have been doing this for a long time, but I appreciate the effort of the folks at Borealia to bring the conversation to a larger reading public).

I just finished reading Keith Grant’s excellent review of Michael Eamon’s Imprinting Britain: Newspapers, Sociability, and the Shaping of British North America. Eamon uses newspapers to show how the so-called “public sphere” found its way to the British cities of Quebec City and Halifax.  I have been fascinated with these kinds of studies since graduate school.  Discussions of print culture, sociability, and the Enlightenment in early America influenced my 2008 book The Way of Improvement Leads Home: Philip Vickers Fithian and the Rural Enlightenment in Early America.

Here is a taste of Keith Grant‘s review:

Eamon’s cultural definition of Britishness also includes the moderate Enlightenment’s emphasis on “useful” and “improving” knowledge. He gives us enticing glimpses of Haligonians who participated, however modestly, in the transatlantic Republic of Letters, as well as the surprising liberality of Governor Frederick Haldimand’s Quebec Library. Newspapers, almanacs, and magazines disseminated Enlightenment science in abridged form to a broad reading public.
Colonial newspapers were closely allied with other kinds of face-to-face sociability. The pages of colonial newspapers aired debates about the propriety of Freemasonry, theatres, and coffeehouses, with printers often advocating for their usefulness. As the detailed appendices demonstrate, those papers prove to be one of the few windows into colonial associative life, and readers are indebted to Eamon for cataloguing mentions of societies, coffeehouses, and plays performed in Halifax and Quebec City. Northern winters were no obstacle to flourishing social scenes, as one Quebec City correspondent reported in December 1790: “Tho’ surrounded with Ice and Snow, we enjoy health & are at least as social as in any other quarter of the Globe” (116).
Eamon charts a shift in colonial associative life as the eighteenth century progressed, from sociability for the sheer pleasure of it toward an increasing concern for the public good. “Let the social virtues shine / Doing good is sure divine,” declared a Masonic song printed in a Nova Scotia newspaper (135). (The Illuminati conspiracy theorists among our readership will be interested—perhaps apprehensive—to know that every eighteenth century governor and lieutenant governor of Nova Scotia was a Freemason! [133])
Mention “print” and “sociability” in the same sentence, and cultural theorist Jürgen Habermas’ concept of the “bourgeois public sphere” is sure to come to mind.  However, though it was incubated in similar coffee houses and likewise deliberated through a burgeoning print culture, the public sphere of British North America, Eamon argues, was less egalitarian than its bourgeois European or republican American counterparts. The colonial print community created “hybrid spaces of sociability and social control” (11), and its discourse “favoured consensus and balance over discord and radical change” (189). Imprinting Britain will find a place on reading lists on British North American sociability and the public sphere, alongside works by Jeffrey McNairn, Darren Ferry, and David Sutherland.

The Author’s Corner with Eric Gardner

Eric Gardner is Professor of English at Saginaw Valley State University.  This interview is based on his most recent book, Black Print Unbound:  The Christian Recorder, African American Literature, and Periodical Culture (Oxford UP, 2015).

JF: What led you to write Black Print Unbound?

EG: Most immediately, writing a chapter on the African Methodist Episcopal Church’s newspaper for my last book—Unexpected Places: Relocating Nineteenth-Century African American Literature (UP of Mississippi, 2009)—confirmed my sense that there were several books that needed to be written about the Christian Recorder.  For a host of reasons, I’m convinced that it was the single most important Black periodical in the nineteenth century, and its amazing stories—stories that can aid students of literature, culture, history, faith, and activism—have barely begun to be told.  I wanted to focus on the years during and just after the Civil War because most histories of Civil War print culture (especially literature) are lily white, and much work on nineteenth-century African American literature deemphasizes or even skips over the War and Reconstruction, to say nothing of Black periodicals and/or Black church print.

JF: In two sentences, what is the argument of Black Print Unbound?

EG: While filled with specific arguments on diverse texts, individuals, and events, Black Print Unbound’s larger argument is that the Christian Recorder in specific and both faith-centered structures and Black periodicals more generally represented critical modes for African Americans to insert themselves in an often-hostile American print culture.  Black Print Unbound is thus both a call to and an example of the ways in which we might rethink American literary history to make room for voices, genres, and print venues that have been ignored, forgotten, dismissed, and willfully erased.

JF: Why do we need to read Black Print Unbound?

EG: As a study of a periodical of national reach among free African Americans, Black Print Unbound is at once a massive recovery effort of a publication by African Americans for African Americans, a consideration of the nexus of African Americanist inquiry and print culture studies, and an intervention in the study of literatures of the Civil War, faith communities, and periodicals.  At its most basic and as one of the fullest studies of an early Black periodical done to date, it shares information on a massive number of authors, texts, editors, and print processes that have much to say to our current moment and are ripe for further study.  The book also offers the most in-depth study of early Black periodicals subscribers (and likely readers) in existence—and does so in a way that attends to both broad demographic trends and the stories of several individuals.  The book pairs this kind of rich cultural and material history with close analysis of diverse and often unknown texts that were crucial to the development of African American literature and culture and that challenge our senses of genre, authorship, and community.

JF: When and why did you decide to become an American historian?

EG: This is a tough question, as my degrees, disciplinary home, and teaching are all in literary studies.  But, if pressed, I’d say gradually and partially in answer to the first part of the question and out of both love and necessity to the second.  I came to literary studies in large part because of a fascination with the past and with the stories we tell (and don’t tell) about our pasts.  The more I moved toward an emphasis on early Black print culture, the more I understood that careful historical work was and would be simply essential in helping correct the myriad misconceptions surrounding African Americans and print in the nineteenth century.  I spent a long time early in my career simply learning more, engaging with historians and cross-disciplinary scholars, immersing myself in archival work, learning to appreciate the craft of history more fully, and thinking about its intersections with literary scholarship.  When I call myself by the old-school term “literary historian,” I thus try to invoke the dance of disciplines and the necessity of dialogic approaches to our work.

 JF: What is your next project?

 EG: Another tough question, because there is so much work to do.  I’m currently engaged with three large projects: a study of the early Black press in San Francisco, further consideration of the Recorder during the editorial term of Benjamin Tucker Tanner (a kind of sequel to Black Print Unbound, if you will), and more in-depth study of women writers connected to church print (especially Frances Ellen Watkins Harper, but also Edmonia Goodelle Highgate and a range of other folks).  You’ll also soon see publication of a special issue of the journal American Periodicalsfocused on Black periodical studies that I co-edited with Joycelyn Moody.

JF: Thanks, Eric!

The Author’s Corner with Heather Haveman

Heather Haveman is Professor of Sociology at the University of California–Berkeley. This interview is based on her new book, Magazines and the Making of America: Modernization, Community, and Print Culture, 1741-1860 (Princeton University Press, 2015)

JF: What led you to write Magazines and the Making of America?

HHI struggled with the title.  It was hard to encapsulate the main argument of the book and to signal to potential readers why they might be interested in it, because the audience I am hoping for is broad –social/cultural/economic historians, organizational/economic/historical/cultural sociologists, & media scholars.  I asked several colleagues for suggestions.  The final title is a combination of my own words plus suggestions from Cristina Mora and Claude Fischer, both of whom have written historical sociology books.  

JF:  In 2 sentences, what is the argument of Magazines and the Making of America?

HH: Sorry, but it takes 3 sentences.  Over the first 120 years of their history, magazines connected people:  this “old” new media literally mediated between people, facilitating frequent interactions between them even when they were far apart and would otherwise never meet face to face, thus creating many distinct communities whose members had common interests, values, principles, ideas, and identities.  These included communities of faith (religion), purpose (social reform), and practice (commerce and specialized occupations).  Different communities often intersected, which fostered the pluralistic integration that was central to American public culture in this era & helped make an America that was distinct from European societies:  magazines both pushed American society toward a common center and pulled it apart into many distinct subgroups.

JFWhy do we need to read Magazines and the Making of America?

HHYou never HAVE to read anything.  But I hope people do read it because it’s different from most histories of magazines, in that it covers all magazines that I could find any trace of in the first 120 years of the industry’s history, rather than focusing on a short time period, a limited sector of the industry, or particular publishing communities, as previous histories have done.  I provide a picture of the coevolution of the industry and American society at 30,000 feet, rather than close up and on the ground.  Having data on (virtually — you can never be sure) every magazine allows me to draw conclusions that are more truly representative of the industry as a whole than can be drawn from the samples usually studied, which typically include the most prominent magazines. 

JF: When and why did you decide to become an American historian? (or in your case a sociologist who does history)?

HHI have an undergraduate degree in history from the University of Toronto, where I focused mostly on medieval and early modern Europe.  (So researching the early history of what became the United States was quite an education.)  I have always believed that general theories of social life, such as those developed and tested in sociology, need to be sensitive to history — to particular eras in time and particular locations in physical and social space.  My magazine project, which includes several journal articles in addition to the book, is my most complete effort to do that.

JFWhat is your next project?

HHI’m studying several contemporary phenomena — Chinese firms in the late 20th & early 21st century, the emerging cannabis market in several American states, the careers of American law professors – as well as one study that is historical, on American wineries in the post-prohibition era (1940 onward).  These are all collaborative, with current and past graduate students.

JF: Thanks Heather!

The Astor Place "Bible House"

The Astor Place Bible House

Last week the ABS, for all intents and purposes, left New York City.

In order to remember this historic New York institution, we have decided to do a few posts on the various places in the city where the ABS was headquartered over the years.  Scroll down to see our first entry on 72 Nassau Street.

In 1853 the ABS left Nassau Street and opened its new “Bible House” on Astor Place.  It was a massive building.  It cost $303,000 to build, it was six stories high, and its brick exterior walls fronted four different city streets.  Much of the building would be used for the production of Bibles, but there was also office space for ABS secretaries and staff and additional space for the staff of other New York benevolent societies.  The ABS rented space at street level for “various business occupations.”  The building committee concluded that the new Bible House was built to be “congenial to all who love the Bible, and in themselves a beautiful development of that Christian civilization and ‘good will to all men,’ which is the glorious offspring of that very cause under whose encircling influence they have found a home.”

The impressive new Bible House became the center of print culture not only in New York City, but in the entire nation.  The building became a New York icon.  Over the course of the next thirty years it was a regular stop for tourists.  Mark Twain visited the Bible House in 1867 and claimed that he “enjoyed the time more than I could possibly have done in any circus.”  Its size and facade sent a clear message: Christian civilization in the United States would advance, and the American Bible Society would be leading the way.

The Author’s Corner with T.J. Tomlin

T.J. Tomlin is Associate Professor of History at the University of Northern Colorado. This interview is based on his book, A Divinity for all Persuasions:Almanacs and Early American Religious Life (Oxford University Press, October 2014).

JF: What led you to write A Divinity for all Persuasions?

TT: I wanted to know how early American popular culture reflected or responded to changes in church membership between 1730 and 1820. Of course, much has been written about the causes and consequences of denominational shifts during this period. So I was curious to see if popular culture might add something new to the debate. I turned to almanacs because they were early America’s most widespread genre. I expected to find either critiques of upstart and “unrefined” denominations like the Methodists or populist attacks on Anglicans and other established churches. Instead I found Protestantism everywhere and denominational specifics almost nowhere. It became apparent very quickly that almanacs had much to say about “true religion” but were completely unconcerned with intra-Protestant competition. In fact, they argued that denominational rivalry was antithetical to authentic religion.

JF: In two sentences, what is the argument of A Divinity for all Persuasions?

TT: Early American religious life is best characterized by the pan-Protestant sensibility articulated in its most ubiquitous popular genre. Most early Americans defined and organized their religious lives around Protestant “essentials” and “golden rule” morality rather than denominational specifics.

JF: Why do we need to read A Divinity for all Persuasions?

TT: Early American religious history remains largely centered on what was going on in churches. This book fills an important gap in the historiography by using popular print rather than church-based sources to answer core questions about early American religion. I also hope the book generates new interest in and appreciation of almanacs. Their annual sales figures are astonishing. I think they offer unique insight into the everyday concerns of early Americans and religion’s fundamental role in helping people make sense of life and death.

JF: When and why did you decide to become an American historian?

TT: Both of my parents were teachers, so I always assumed I would teach something. I began college as a secondary-education/ English major. Around my sophomore year, I realized I was more interested in the context of the literary works I was reading than the content. About the same time, I began taking history classes with some great professors. I remember reading Nathan Hatch’s The Democratization of American Christianity and thinking: “I want to do this.”

JF: What is your next project?

TT: I am working on a history of chance in early America. While researching A Divinity for All Persuasions, I came across an eighteenth-century lottery ticket at the Library Company of Philadelphia. Intrigued, I learned that state and local governments, Ivy League Universities, and churches relied on lotteries to raise funds. The word chance also shows up quite a bit in almanacs as a critique of Atheism—the argument is that Atheists rely on the foolish notion of “chance” rather than God to explain the created order. Some churches condemned card-playing, dice, and other games of chance as an insult to God’s providential oversight of human affairs. At the same time, Moravians and others were casting lots to decipher God’s will. I want to place changing formulations of chance in the context of eighteenth century intellectual, scientific, and religious debates.

JF: Can’t wait to hear more about it! Thanks TJ.

And thanks to Megan Piette for facilitating this installment of the Author’s Corner.

On Writing the History of the American Bible Society–Update #64

Chapter Three continues to move along.  I spent about four hours yesterday morning improving a few sections of the chapter.  This involved learning new things about the book printing business in the nineteenth century and the use of steam-powered presses.  I now know a little bit (just enough to be dangerous) about Daniel Treadwell and his power press.

By the way, if someone knows of a good book that traces–in a step-by-step fashion–the process of book printing in the early republic I would love to know about it.  A YouTube video or a living history museum would be even better.

Our research team has recently had a change in personnel.  Katy Kaslow, who did so much work for us this summer, will be studying in Oxford this semester.  She will be back in January.  We have recently hired Alyssa Vorbeck to replace Katy for the semester.  Alyssa is a junior history major at Messiah College who just finished an exciting summer internship at Morristown National Historic Park and Library.  (She is also the middle hitter for the Messiah College women’s volleyball team!).  Katie Garland has returned to her graduate program at the University of Massachusetts, but she will still be working on the project over the course of the academic year.

Stay tuned.

2014 Gilder-Lehrman "13 Colonies" Seminar: Day Five Recap

Gilder-Lehrman Institute seminar for K-8 teachers on “The 13 Colonies” is winding down.  The teachers are hard at work on their lesson plans under the direction of Nate McAlister.   Before they leave they are required to post the plans to the seminar blog.  

I am pleased to see the way the teachers have bonded with each other over the course of the week.  Princeton is a great place to hold a seminar like this.  The teachers can spend their evenings shopping, eating, drinking, and walking on Princeton’s Nassau Street.  Popular stops include drinks at Nassau Hall, Labyrinth Books, the Bent Spoon ice cream shop, and the Princeton University Wawa.

On Thursday we spent the morning discussing Pennsylvania.  We tried to look at Penn’s colony from all angles.  I gave them a lecture on Quakers, religious and ethnic pluralism, and the idea of Pennsylvania as a “liberal” colony.  In the afternoon we got started on the American Enlightenment using my four point definition of the Enlightenment in The Way of Improvement Leads Home.

After the session we headed over to the Firestone Library where rare books curator Stephen Johnson showed the teachers a few dozen eighteenth-century volumes that I selected from the Firestone’s collection.  I focused my choices on books that I would be referencing in my lectures and books that were read by Philip Vickers Fithian.  They were also introduced to the Princeton children’s library and shown effective ways of teaching colonial America through objects.

This was one of the highlights of the week.  Dana Sheriden of the Cotsen Children’s Library mesmerized the teachers with her presentation.  Stephen Johnson answered questions about early American books and printing.  And the students got to hold and read books by Phillis Wheatley, John Locke, George Whitefield, Jonathan Edwards, Cotton Matther, Addison and Steete (The Spectator), Samuel Richardson, and Laurence Sterne.  The room was buzzing with activity as these teachers read, discussed, and wondered over these rare books.  It was fun to watch and experience.

Here are a few pics:

The teachers loved the book of Phillis Wheatley’s poetry


Elissa, Carmen, and Meghan discussing The Spectator
Shawn is really digging in to Jonathan Edwards’s The Nature of True Virtue


Richard S. Newman to Lead Library Company of Philadelphia

Press release from the Library Company:

The Trustees of the Library Company are delighted to announce that Richard S. Newman has been appointed to succeed John C. Van Horne as the Edwin Wolf 2nd Director of the Library Company of Philadelphia. A distinguished historian with research specialties in Early American, African American, and Environmental History, as well as Print Culture and New Media, Dr. Newman has a long association with the Library Company, beginning with the award of a research fellowship in 1995. We believe Dr. Newman has the rare combination of scholarly authority, commitment to public engagement, and passion for our mission that will enable him to bring the Library Company to new prominence.
Currently Professor of History at Rochester Institute of Technology, Dr. Newman is the author or editor of five books—-including The Transformation of American Abolitionism, a finalist for the Organization of American Historians’ Avery Craven Prize; Freedom’s Prophet: Bishop Richard Allen, the AME Church, and the Black Founding Fathers; and Love Canal and the American Dream: 500 Years at America’s Most Notorious Environmental Place, forthcoming from Oxford University Press—-and numerous scholarly articles. He is also co-editor of the book series “Race in the Atlantic World, 1700-1900,” published by the University of Georgia Press and the Library Company.
As an educational and museum consultant over the past decade, Dr. Newman has worked with research archives, public history sites, and teacher training programs on a variety of outreach initiatives. He is committed to exploring ways that the Library Company can use its collections to empower people in their civic lives and careers while at the same time continuing to foster the best in current scholarship—-and he sees this as a vital way to connect the institution with Benjamin Franklin’s founding ambitions for the nation’s first successful lending library and now its oldest cultural institution.
Dr. Newman will begin in his new role in June 2014.

Ben Franklin’s "Pennsylvania Gazette" is Rolling Off the Press Again

Get your copy of the October 6, 1743 issue of the Pennsylvania Gazette, the first edition published by Benjamin Franklin, at the Independence National Historic Park printing office before December 18, 2013.  From the National Park Service:

Philadelphia – For the first time since the printing office opened in Franklin Court, park rangers at Independence National Historical Park are printing a copy of Benjamin Franklin’s original Pennsylvania Gazette. The Gazette of October 6, 1743 will be featured on the Franklin Court printing presses until December 18, 2013. Copies are available for purchase by park visitors.
Franklin took over the Pennsylvania Gazette in 1729 when it was still an ailing paper, dull and poorly managed. Franklin applied his signature wit, intelligence and determination and soon the Gazette was recognized throughout the colonies as an informative and entertaining paper. Franklin’s publishing credits went beyond the news, as he innovated the publishing industry. He used cartoons and maps to illustrate his articles. He printed his political theories to gain public support. He shared his witty and wise sayings in Poor Richard’s Almanac. While Franklin’s printing office at 2nd and Market no longer stands, visitors to Franklin Court can see what his office might have looked like and see demonstrations of 18th century printing.
Using a replica 18th century printing press, park rangers are recreating the October 6, 1743 Gazette owned by the Library Company of Philadelphia. Along with local news and advertisements, the Gazette features a letter from a lieutenant on board HMS Centurion with news about Commodore George Anson’s circumnavigation of the globe in pursuit of enemy ships and Spanish treasure.
Thanks to the craftsmanship of Richard Hopkins of Hill & Dale Typefoundry in Terra Alta, WV, rangers are printing from type almost identical to Franklin’s original.Using equipment that had been disposed of by other typefoundries as “obsolete,” Hopkins hand crafted each piece of type into the Caslon font. The font used to print the Dunlap broadside (the first printed edition of the Declaration of Independence), Caslon was a font favored by Franklin and is still available in some programs today.
The Gazette is a complete printing of all four pages included in the original. Due to the staffing and resource intensive nature of the work, the park does not usually recreate entire newspapers. This unique creation will only be printed through December 18, 2013 at which time the printing office will once again produce copies of the Declaration of Independence and famous Franklin quotes.

Why Do Evangelicals Have All the Religious Bestsellers?

Mickey Maudlin, who is VP for Bible Publishing at HarperOne, believes it has something to do with the fact that evangelicals have done a better job of accommodating to consumer culture than mainline Protestants and Catholics.  He writes:

Because the most important agent in this world is the individual consumer, and because of the sheer size of this demographic, books, music and programs are marketed to these individuals, which has allowed for the rise of mega-churches (guaranteed quality programming), a network of Christian bookstores and a panoply of media offerings (TV, radio, websites, DVDs, etc.) targeted to these believers. So when an unknown author catches on in some circles — such as happened with Sarah Young’s devotional “Jesus Calling” — there is a system in place to respond (Young’s book has sold more than 2 million copies). There are a variety of ways to market effectively to their audience. Yes, those bestsellers break out into the general market, rising in rankings on Amazon and sold in stacks at Barnes & Noble, but often half the sales of these blockbusters are from specifically evangelical distribution channels. This is a huge advantage.

Now imagine the Catholic consumer, who typically does not see himself or herself as the deciding agent. Spend time with Catholic customers and you will hear questions like, “Which one is approved by the church?” — or by “my bishop” or by “my priest.” This is why there are so few Catholic bookstores despite there being more Catholics (about 75 million) than any other one church group. The biggest players in this world are those Catholic publishers who sell directly to Catholic institutions — such as schools and parishes — not to individual Catholic consumers. And even if a Catholic author catches on with consumers, there is no real distribution system directly to Catholics except for mainstream bookstores. 

That leaves mainline Protestants, a still sizable group (around 53 million), characterized by their diversity, tolerance and commitment to social justice but also by their weakening institutional ties. Everyone recognizes the significant weakening of denominations’ ability to impose an agenda on its constituency, but these affiliations retain a significant pull in shaping their clergy’s and their churches’ time and energy. At the same time, the denominations have almost no direct relationship with their lay members. This is why so many denominational publishers have struggled financially and shrunk their lists. The largest mainline denomination, the United Methodists, has often done the best job of reaching out to consumers through its Cokesbury bookstores and website, but even they have announced the closing of their remaining 50-plus stores after April of this year. Because of the split, diverse interests of these churches, there is no one place online or physically where these Christians come together. Few leaders rise up and are known outside their denomination; no website or magazine can claim to draw significant numbers (though The Christian Century comes closest). If a publisher wants to reach out to this constituency, there is no direct way to reach the masses in the same way evangelicals can to their constituencies.

Evangelical print culture in the early nineteenth century was popular for the same reasons.  I seem to remember Nathan Hatch having something say about this in The Democratization of American Christianity.

Cronon: Books and the Historical Discipline

As AHA president William Cronon notes in his October 2012 column in Perspectives on History, history is one of the “few remaining book-based disciplines in the modern academy.”  Unlike other fields, where the article is most important (and academic mentors encourage graduate students to think about their dissertations in terms of “least publishable units“), historians still value the book as the highest form of scholarly achievement.

Though Cronon has been a cheerleader for many of the recent changes in the profession, especially as they relate to digital history, he does not seem willing to let go of books.  Here is a taste:

The challenge for books, then, is not just that most are still printed on paper when the world is moving so quickly and irresistibly toward pixels on screens. Imperfect though they still are, e-book readers (about which I will have much more to say in my next column) may yet enable books to survive in the digital age. The much bigger problem is that the long arguments and narratives on which the best history writing has always depended require many pages—many screens—to be absorbed, understood, and appreciated. More important still, they require well-stocked minds with the patience and discipline to pay attention for many hours to complicated webs of actors and actions, causes and effects, events and contexts, ideas and meanings, without which we cannot hope to make sense of what happened in the past or why it mattered. Good history needs time and space to be grasped in all its richness. If journal articles aren’t long enough to do the job, then what are we to do if blogs and text messages and tweets are the media our audiences prefers to read?

Please do not misunderstand me. I embrace and celebrate the digital age. I believe historians should use blogs and tweets, Wikipedia entries and YouTube videos, web pages and Facebook postings, and any number of other new media tools to share our knowledge with the wider world. But I also celebrate complicated arguments that need space to develop and patience to understand. And I love long stories that can only unfold across hundreds of pages or screens. What I most fear about this new age is its impatience and its distractedness. If history as we know it is to survive, it is these we most need to resist as we practice and defend long, slow, thoughtful reading.

Books That Shaped America

Over at U.S. Intellectual History, Tim Lacy reflects on the Library Congress exhibit: “Books That Shaped America.”  The exhibit includes 88 books that have been important to Americans.  It is based on an online survey in which participants are asked to choose three books “written in America by Americans, and had a profound impact on our nation.”

Check out the survey and get back to us.  Which books did you choose?  

I picked Common Sense, Uncle Tom’s Cabin, and The Private Life of Benjamin Franklin (also known as Franklin’s Autobiography.