I just learned about Gavin Cologne-Brookes new study of Bruce Springsteen’s music, American Lonesome: The Work of Bruce Springsteen. LSU Press will publish it in November.
Here is a description from the LSU Press website:
American Lonesome: The Work of Bruce Springsteen begins with a visit to the Jersey Shore and ends with a meditation on the international legacy of Springsteen’s writing, music, and performances. Gavin Cologne-Brookes’s innovative study of this popular musician and his position in American culture blends scholarship with personal reflection, providing both an academic examination of Springsteen’s work and a moving account of how it offers a way out of emotional solitude and the potential lonesomeness of modern life.
Cologne-Brookes proposes that the American philosophical tradition of pragmatism, which assesses the value of ideas and arguments based on their practical applications, provides a lens for understanding the diversity of perspectives and emotions encountered in Springsteen’s songs and performances. Drawing on pragmatist philosophy from William James to Richard Rorty, Cologne-Brookes examines Springsteen’s formative environment and outsider psychology, arguing that the artist’s confessed tendency toward a self-reliant isolation creates a tension in his work between lonesomeness and community. He considers Springsteen’s portrayals of solitude in relation to classic and contemporary American writers, from Frederick Doug-lass, Nathaniel Hawthorne, and Emily Dickinson to Richard Wright, Flannery O’Connor, and Joyce Carol Oates. As part of this critique, he discusses the difference between escapist and pragmatic romanticism, the notion of multiple selves as played out both in Springsteen’s work and in our perception of him, and the impact of performances both recorded and live. By drawing on his own experiences seeing Springsteen perform—including on tours showcasing the album The River in 1981 and 2016—Cologne-Brookes creates a book about the intimate relationship between art and everyday life.
Blending research, cultural knowledge, and creative thinking, American Lonesome dissolves any imagined barriers between the study of a songwriter, literary criticism, and personal testimony.
Springsteen on Broadway, which earned music icon Bruce Springsteen a 2018 Special Tony Award, will be filmed and released as a Netflix special. The show will land on the streaming service December 15—the day of the extended engagement’s final show.
The show, part concert and part storytelling event, was captured during two added invite-only performances July 17 and 18.
Springsteen on Broadway opened in October at the Walter Kerr Theatre, which, at less than 1,000 seats, is one of the most intimate venues the musician has played. The show received acclaim from critics and theatregoers alike and routinely earns a spot as a box-office frontrunner.
Built around Springsteen’s 2016 memoir Born to Run, the engagement is billed as a solo show but frequently features a guest appearance by Springsteen’s wife and fellow musician Patti Scialfa.
“The purpose of the film is to bring this incredibly intimate show to Bruce’s entire audience intact and complete,” said Jon Landau, manager to Springsteen, in a statement. “In addition to its many other virtues, Netflix has provided for a simultaneous worldwide release which is particularly important for our massive international audience. Ted Sarandos and the entire company’s support has been a perfect match for Bruce’s personal commitment to the filmed version of Springsteen on Broadway.”
The Drama Department at Marjory Stoneman Douglas High School in Parkland, Florida performing at the 2018 Tony Awards:
This album cover is making its way around the Internet today. And at $2.99 it seems like a real steal! 🙂
On Episode 38 of The Way of Improvement Leads Home Podcast, we talk to University of Oslo historian Randall Stephens about his new book The Devil’s Music: How Christians Inspired, Condemned, and Embraced Rock ‘n’ Roll. Randall talks about his new book and I reflect on my own experiences at the intersection of evangelicalism and rock music. The episode will drop next weekend.
In the meantime, head over the the website of Harvard University Press and listen to a Spotify playlist of songs and artists that Stephens considers in The Devil’s Music. It includes music by Sam Cooke, Sister Rosetta Tharpe, Little Richard, Elvis Presley, Johnny Cash, Ray Charles, Jerry Lee Lewis, Bill Haley & the Comets, The Beatles, Cliff Richard, Larry Norman, Phil Keaggy, Andre Crouch, Sha Na Na, Bill Gaither Trio, Bob Dylan, Amy Grant, Keith Green, DeGarmo & Key, Michael W. Smith, Stryper, DC Talk, and Sufjan Stevens.
And if you are a Randall Stephens fan, don’t forget to check out “The Randall Stephens Collection.”
Over at Christianity Today, Mark Moring has assembled “The Ultimate Billy Graham Playlist.” In addition to a host of contemporary Christian artists, the playlist also includes references to Graham in songs sung by Brad Paisley, Tim McGraw, Darius Rucker, Johnny Cash, Frank Zappa, Manfred Mann’s Earth Band, and John Denver.
Here is Cash:
Johnny works in a factory and Billy works downtown
Terry works in a rock and roll band
Lookin’ for that million-dollar sound
I got a little job down in Darlington
But some nights I don’t go
Some nights I go to the drive-in, or some nights I stay home
I followed that dream just like those guys do up on the screen
And I drove a Challenger down Route 9 through the dead ends and all the bad scenes
And when the promise was broken, I cashed in a few of my dreams
Well now I built that Challenger by myself
But I needed money and so I sold it
I lived a secret I should’a kept to myself
But I got drunk one night and I told it
All my life I fought this fight
The fight that no man can ever win
Every day it just gets harder to live
This dream I’m believing in
Thunder Road, oh baby you were so right
Thunder Road there’s something dyin’ on the highway tonight
I won big once and I hit the coast
But somehow I paid the big cost
Inside I felt like I was carryin’ the broken spirits
Of all the other ones who lost
When the promise is broken you go on living
But it steals something from down in your soul
Like when the truth is spoken and it don’t make no difference
Something in your heart goes cold
I followed that dream through the southwestern flats
That dead ends in two-bit bars
And when the promise was broken I was far away from home
Sleepin’ in the back seat of a borrowed car
Thunder Road, for the lost lovers and all the fixed games
Thunder Road, for the tires rushing by in the rain
Thunder Road, Billy and me we’d always say
Thunder Road, we were gonna take it all and throw it all away
Gabrielle Bluestone is brilliant! An editor at Vice News and and an attorney, Bluestone also appears to be a Bruce Springsteen fan. Here is her unique twitter-take on a Springteen classic:
Read the rest here.
I probably posted this at some point over the past nine years, but I can’t stay away. 🙂
And as long as we are at it, let’s not forget “Jesus is My Friend”
The Nation has assembled the 10 best Labor Day songs ever written.
Here is #2:
I was disappointed that this Springsteen classic was not on the list: