When A Cowboy Museum Puts its Director of Security in Charge of Social Media…

Hilarious!

Now I want to see “Seth in Marketing” post some tweets!

Tim SendTim Send, the head of security at the National Cowboy & Western Heritage Museum in Oklahoma City, has become an Internet sensation ever since the museum put him in charge of social media. Read about him here.

And here are some of his best tweets:

 

Commemorating the Mayflower

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400 years ago this year the Mayflower landed on present-day Cape Cod. Over at The New York Times, Tanya Mohn writes about how the United States, England, and the Netherlands will commemorate the event later this year. A taste:

Paula Peters remembers the last major anniversary of the historic voyage in 1620 of the Mayflower from Plymouth, England, to Plymouth, Mass. It was in 1970. She was 12. “It did not go well,” recalled Ms. Peters, a member of the Mashpee Wampanoag TribeFrank James, whose Wampanoag name was Wamsutta, was invited to give a speech, but was prevented from delivering it because the event’s organizers “didn’t like what he had to say.”

This year’s 400th anniversary promises to be different. “It will include all the things Frank James wanted to say and then some. It’s an opportunity to take our story out of the margins and onto an international platform,” said Ms. Peters, who through SmokeSygnals, a marketing and communications agency, curated and consulted for exhibitions and programs on both sides of the Atlantic. “What’s most important to stress is simply that we are still here.”

The Wampanoag Nation, encompassing the federally recognized Aquinnah and Mashpee tribes, are equal partners in the yearlong commemoration with Plymouth 400 in the United States, Mayflower 400 in the United Kingdom, and Leiden 400 in the Netherlands, umbrella groups for museums and organizations that are hosting Mayflower-related events in their respective regions.

Read the rest here.

In Search of Impeachment Artifacts

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The National Museum of American History wants them.  Here is Peggy McGlone at The Washington Post:

Years from now, when school groups visit the National Museum of American History, they might learn about the impeachment of a president through a fidget spinner. And they will have Jon Grinspan, the Smithsonian’s curator of political history, to thank.

Grinspan is a soft-spoken, academic version of Indiana Jones, on the hunt not for the Ark of the Covenant but for something perhaps more elusive: the exactly right objects to tell the story of the impeachment of President Donald J. Trump.

Grinspan was in the Senate gallery last week when he observed several politicians — who are banned from using cellphones during the trial — keeping their hands busy with the popular toys. Maybe the items will be used to illustrate the tedium of the marathon sessions and the challenge of keeping senators/jurors alert and focused on the proceedings.

Grinspan has yet to acquire a fidget spinner — or any object that tells the story of these events, only the third presidential impeachment trial in the nation’s history. But he and two colleagues will do their best to compile a group of items that will help the museum chronicle this highly charged moment in a nonpartisan way.

It’s not an easy task, although the danger is not of the Indiana Jones, giant-rolling-boulder variety.

Read the rest here.

A Review of Three New Washington D.C. Exhibits on the Women’s Suffrage Movement

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Are you looking for one more quick get-away this summer?  Why not take a women’s suffrage-themed trip to Washington D.C.?

Over at The New York Times, Jennifer Schuessler reviews exhibits at the National Portrait Gallery, Library of Congress, and National Archives.  These exhibits, Schuessler argues, reveal the complexity of the Women’s Suffrage Movement in the United States.

Here is a taste of her piece:

Together, these shows — all curated by women — make up one of the richest explorations of women’s history yet assembled in the capital, or anywhere else. But they also offer a lesson in the messiness, complexities and compromises involved in any movement for social change — and the fraught politics of historical memory itself.

For years, the drive for women’s suffrage was presented mainly as the story of middle-class white women and iconic national leaders like Anthony and Stanton. That story began with the Seneca Falls Convention in upstate New York in 1848 and ended with the triumphant adoption of the amendment on Aug. 26, 1920, which resulted in the single largest extension of democratic voting rights in American history.

But in recent decades scholars have taken a less top-down view, emphasizing the movement’s multiple starting points and patchwork progress through hundreds of state and local campaigns. They have also excavated the role of African-American women, who were largely excluded from the major, white-led suffrage organizations and marginalized in the early histories of the movement, if they were mentioned at all.

Even before the centennial year began, there have been tensions over who and what to celebrate — or even how to sum up the amendment’s significance.

Read the entire piece here.

“Hamilton: The Exhibition” Comes to an End in Chicago

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“Northerly Island, though, proved farther than the Hamilfans were willing to go.”

I guess the popularity of Alexander Hamilton and the musical named after him only goes so far.

Here is a taste of Chris Vire’s piece at Chicago Magazine:

Jeffrey Seller, the producer behind both the 35,000-square-foot attraction and the massively successful musical from which it spun off, said the exhibition would close August 25, two weeks before the initial end date of September 8. Tickets already sold for the final two weeks are being refunded. And plans to tour the exhibit to other cities have been scrapped, Seller told the Chicago Tribune.

In announcing the early close, producers cited traffic-snarling events that would “complicate access” to the exhibition, which is housed in a giant shed plopped in the middle of Northerly Island. Among those events: the North Coast Music Festival at Huntington Bank Pavilion on August 30 and 31 and a Bears preseason game at Soldier Field on August 29.

Neither of those events is exactly a surprise. North Coast’s move to Northerly Island from Union Park was announced in April, weeks before the Hamilton exhibition opened. And the Bears’ Thursday night matchup with the Titans isn’t even their first home game of the season; that would be next week, when they host the Panthers on August 8.

Read the entire piece here.

Mormon Church Donates $2 Million to Help African Americans Trace Family History

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Read all about it at the Atlanta Black Star.  Here is a taste of Tanasia Kenney’s report:

The Church of Jesus Christ of Latter-day Saints announced this week that it’s donating $2 million to the International African-American Museum in Charleston, S.C., to create a Center for Family History aimed at helping Black Americans trace their genealogy.

The church made the announcement on Feb. 27 during the annual RootTech genealogy summit in Salt Lake City, Utah, local station KUTV reported.

More than half of the enslaved Africans brought to America came through Charleston and the majority of them disembarked at Gadsden’s Wharf, “taking their first steps into this country at the future site of the IAAM,” according to the museum.

“We want to support the museum and the Center for Family History because we both value the strength that comes from learning about our families,” said Elder David Bednar of the Quorum of the Twelve Apostles of the LDS Church, who presented the donation.

“The museum will not only educate its patrons on the important contributions of Africans who came through Gadsden’s Wharf and Charleston,” he added, “it also will help all who visit to discover and connect with ancestors whose stories previously may not have been known.” 

Read the rest here.

 

Out of the Zoo: “In Search of Knights, Peasants, and Bandits”

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The mummy exhibit at the Kalamazoo Valley Museum

Annie Thorn is a first-year history major from Kalamazoo, Michigan and our intern here at The Way of Improvement Leads Home.  As part of her internship she will be writing a weekly column for us titled “Out of the Zoo.”  It will focus on life as a history major at a small liberal arts college. In this column she writes about Medieval history and a museum she visited as a child.  Enjoy! –JF

A considerable portion of my childhood was spent inside the Kalamazoo Valley Museum, a three story establishment filled to the brim with free entertainment and learning tailored to our community. On the first floor there’s a planetarium and a weather exhibit. One half of the second floor is filled with interactive displays that teach physics principles, and the other half contains a life-size timeline of Kalamazoo’s history. The third floor, though, was my favorite–it housed a real Egyptian mummy and had a massive space that was renovated every few months for visiting displays. It was hard to predict what wonders the third floor would contain when we went on our regular visits.

One morning my mom made the 45-minute trek from my house to the museum with her three children in tow. We spent a while visiting our favorite spots; my brother Nate liked building rubber band cars, while my sister and I enjoyed seeing our silhouettes on the thermal camera. None of these compared, though, to the adventure that awaited us on the third floor.

The third flight of stairs opened up to a massive recreation of a Medieval castle and village, complete with costumes and props. It seemed as if half of the kids in Kalamazoo were at the museum that day, immersed in an elaborate game of pretend. Some kids put on heavy aprons and imagined they were blacksmiths, others hoisted swords and served as knights, while still more set tables in the miniature great hall with plastic plates and play food. I can’t say we learned anything about Medieval England that day (most of us were too young to read the plaques) but we were given the opportunity to immerse ourselves in a culture that was foreign to us, and had a little fun along the way.

It’s easy for me to forget that the Medieval time period existed outside the walls of the Kalamazoo Valley Museum or popular fairy tales. Perhaps it’s because many of the books I read and movies I watched as a child were fantasy stories saturated with images of brave knights and fair maidens, but for the longest time this unique period in history just didn’t seem real to me.

A few weeks ago, however, I started taking a class called “Knights, Peasants, and Bandits: A Social History of Medieval England” here at Messiah College. Since then I’ve begun to learn that knights, lords, and ladies were real people who stayed in real castles and faced real hardships. They existed outside of fairy tales, and had lives of their own. The class is helping me come to terms with the strangeness of the past too–I mean, how else would you describe a time period during which nobles hunted with falcons and people built siege engines? However, I’m finding familiarity in my studies as well; I’m discovering the little ways I’m similar to men and women who lived in Medieval England, despite the fact that they walked the earth hundreds of years ago. It’s the job of the historian to reside in this tension between familiarity and strangeness–seeing past fairy tales, empathizing with real people, and accepting the past for what it really was.

Anthea Hartig is the New Director of the Smithsonian National Museum of American History

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Congratulations!  Hartig is the first woman to hold the post in the museum’s 54-year history.  She comes to Washington D.C. with a Ph.D in history from the University of California-Riverside and experience at the California Historical Society and the National Trust for Historic Preservation.  From 2000-2005 she taught history at La Sierra University, a Christian (Seventh-Day Adventist) school in Riverside.

Graham Bowley has the story covered at The New York Times:

The Smithsonian’s National Museum of American History has a new director, who will be the first woman to hold the position in its 54-year history: Anthea M. Hartig, currently the executive director and chief executive of the California Historical Society.

Ms. Hartig begins her new role in Washington, overseeing 262 employees and a budget of nearly $50 million, on Feb. 18. She will be the first woman to be director since the museum opened in 1964, the Smithsonian said. In her new role, in 2019 and 2020, she will open three exhibitions that are part of the Smithsonian American Women’s History Initiative, #BecauseOfHerStory. She will also complete the revitalization of the museum’s 120,000-square-foot west wing.

Read the rest here.

Do You Need Advance Tickets to Get Into the National Museum of African American History and Culture?

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Here is a taste of a recent piece at Smithsonian.Com:

Visiting Smithsonian’s National Museum of African American History and Culture (NMAAHC) without timed-entry passes, or tickets, just got easier. The recently-announced 2019 guidelines mark a significant change for the museum, which has seen almost 5 million visitors since its historic 2016 opening. NMAAHC is open from 10 a.m. until 5:30 p.m. every day of the year except for Christmas Day, December 25. The museum is free, but entry is governed by a system of timed-entry passes, or tickets. The new 2019 policies expand the hours visitors can walk in without timed-entry passes. Here’s how walk-up entry and the passes will work in 2019 and over the holiday season this month:

Read the rest here.

New York City’s Sons of Liberty

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Over at Boston 1775, J.L. Bell calls our attention to a new exhibit at the Fraunces Tavern Museum in lower Manhattan.  It is titled “Fear & Force: New York City’s Sons of Liberty.”

Here is a taste of Bell’s post:

The museum’s announcement says:

On display in the Museum’s largest gallery, the exhibition will immerse visitors in New York City in the late 18th century, when the Sons of Liberty first began to make a name for themselves as an organized group who opposed British rule through violent resistance prior to the outbreak of the American Revolution. 

The exhibition will take visitors through a timeline that chronicles key players and stories behind some of the most dramatic events that ignited the spark of revolution in the 13 colonies, from the staging of New York’s very own “tea party,” to tarring and feathering Loyalists.

The New York Tea Party took place on 22 Apr 1774, four months after the famous Boston Tea Party and one month after the less famous second Boston Tea Party. But I can see why this site wants to highlight the New York event, and I’ll say more about it tomorrow. 

As for “tarring and feathering Loyalists,” New Yorkers actually carried out that public punishment on Customs employees or informers before Bostonians did, though folks in some of the smaller ports along Massachusetts’s north shore had established the tradition even earlier. 

Read the rest here.

New Book: *Interpreting Religion at Museums and Historic Sites*

InterpretingIf you are interested in the relationship between American religious history, museums, historical sites, and public history, I highly recommend that you get a copy (or ask your library to order a copy) of Gretchen Buggeln’s and Barbara Franco’s new book Interpreting Religion and Museums and Historic Sites.

The book includes essays on interpreting religion at religious sites, historic sties, and museums.  These sites include Arch Street Meeting House (Philadelphia), California Missions Trail,  Ephrata Cloister, Joseph Smith Family Farm. U.S. Capitol, Andrew Jackson’s Hermitage, Colonial Williamsburg, Mount Vernon, Gettysburg, Lower East Side Tenement Museum, Yorktown, Arab American National Museum, Jewish Museum of Maryland, Minnesota History Center, National Museum of African American History and Culture, National Museum of American History, and Winterthur Museum.

Buggeln, the Phyllis and Richard Duesenberg Chair in Christianity and the Arts at Valparaiso University,  offers essays on “Scholarly Approaches for Religion in History Museums” and “Religion in Museum Spaces and Places.”  Franco, the former executive director of the Pennsylvania Historical and Museum Commission and the founding director of the Gettysburg Seminary Ridge Museum, offers two essays: “Issues in Historical Interpretation: Why Interpreting Religion is So Difficult” and “Strategies and Techniques for Interpreting Religion.”  Buggeln and Franco team-up for another essay: “Interpreting Religion at Museums and Historic Sites: The Work Ahead.”

This is a wonderful collection and I was honored that Buggeln and Franco asked me to write a blurb:

I have been waiting for a book like this for a long time. Gretchen Buggeln and Barbara Franco have gathered an impressive collection of essays by museum professionals and public historians who have thought deeply about the place of religion in some of our most important cultural institutions. This is a landmark volume. (John Fea, Chair and Professor of History, Messiah College, author of Why Study History: Reflecting on the Importance of the Past).

This book should be in the library of every public historian, museum and historical site educator, and American religious historian.

“The American Revolution: A World War”

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This is the title of the newest exhibit at the Smithsonian’s National Museum of American History.  Learn more about it in Alice George‘s piece at Smithsonian.com.  Here is a taste:

A new exhibition at the Smithsonian’s National Museum of American History in Washington, D.C., invites Americans to recognize another world war—one that has been traditionally envisioned as a quaint and simple confrontation between a ragtag army of rebellious colonists and a king’s mighty military force of red-coated Brits. “The American Revolution: A World War” demonstrates with new scholarship how the 18th-century fight for independence fit into a larger, international conflict that involved Great Britain, France, Spain, the Dutch Republic, Jamaica, Gibraltar and even India. “If it had not become that broader conflict, the outcome might very well have been different,” says David K. Allison, project director, curator of the show and co-author of a new forthcoming book on the subject. “As the war became bigger and involved other allies for American and other conflicts around the world, that led Britain to make the kind of strategic decisions it did, to ultimately grant the colonies independence and use their military resources elsewhere in the world.”

 

The roots of this war lay in the global Seven Years War, known in the United States as the French and Indian War. In that conflict, Britain was able to consolidate its strength, while France and Spain experienced significant losses. At the time of the American Revolution, other European powers were seeking to restrain Great Britain, the greatest world power and owner of the planet’s most threatening navy.

“We became a sideshow,” says Allison. Both France and Spain, to undermine British power, provided both arms and troops to the rambunctious rebels. The Dutch Republic, too, traded weapons and other goods to the American colonists. Ultimately, after struggling to retain its 13 feisty colonies, British leaders chose to abandon the battlefields of North America and turn their attention to their other colonial outposts, like India.

Read the rest here.

“Amending America” Exhibit Comes to Lancaster, Pennsylvania

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You can see the National Archive’s exhibit “Amending America: The Bill of Rights” at LancasterHistory.org in Lancaster, PA.  Learn more from Jennifer Kopf‘s piece at Lancaster Online.  Here is a taste:

Two years ago, on the 225th anniversary of that Bill of Rights, the National Archives curated an exhibit that explores how those first 10 amendments were composed. “Amending America: The Bill of Rights” then went on a cross-country tour of America that arrives in Lancaster later this week.

When “Amending America” opens at LancasterHistory.org Saturday, it will be the 11th stop on a tour that’s taken the exhibit to the presidential libraries of Gerald Ford and Richard Nixon, the home of Founding Father George Mason, a museum in Dealey Plaza, Dallas, and, most recently, to the Jewish Museum of Maryland in Baltimore.

Using reproduction documents and petitions, political cartoons and interactive stations, the exhibit also will have a feature none of the other stops on the tour has had.

Local curators have assembled a complementary exhibit on President Jame

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s Buchanan and Congressman Thaddeus Stevens. Both immensely powerful mid-19th-century politicians and both Lancastrians, Stevens and Buchanan held radically different ideas about what powers were permitted and prohibited by the Constitution.

Robin Sarratt, vice president of LancasterHistory.org, says the timing of the exhibit’s arrival here “is fortuitous.”

“Amending America,” Sarratt says, encourages the process of asking questions, of thinking about what citizenship means, about what the words in the Constitution and Bill of Rights meant in that era — and what they mean today.”

Read the entire article here.

“Revolution Place”

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The Museum of the American Revolution has opened a new “discovery center” for visitors ages 5-12.  Learn more in this piece at The Philadelphia Tribune:

Philadelphia has a new window into its past as a bustling and important location during the during the Revolutionary War era. This weekend the Museum of the American Revolution’s (MoAR) new discovery center, Revolution Place, will open a lens to Old City during the 1700s — where the American Revolution took root.

Revolution Place features four key recreated historical environments for younger visitors from 5-12 years old — a military encampment, a tavern, a home and an 18th-century meeting house.

Visitors can partake in the space’s experiential elements, interactive touchscreens, reproduction objects, and special programming set against colorful murals that evoke scenes from 18th-century Philadelphia, including a marketplace and a residential alley.

 

“Revolution Place extends the immersive, hands-on experience of the Museum’s core exhibition to our younger visitors. The new center encourages playful discovery through a range of self-directed and facilitated experiences, all set within the historic spaces and places of the Museum’s own neighborhood,” said Dr. Elizabeth Grant, director of education at the museum.

Read the entire article here.

 

A Museum Veteran Writes About Historical Thinking at Historical Sites

cover-higher-resMy friend Tim Grove spent the first part of his career working for the Smithsonian.  He recently left his post at the Air and Space Museum in Washington D.C. and started a history consulting business.  This will also give him more time to write.

You may also remember Tim from Episode 5 of The Way of Improvement Leads Home Podcast.

Check out Tim’s article on the importance of historical thinking at History News, the magazine of the American Association for State and Local History.  Here is a taste:

Clearly, a part of the past can include baggage. Historian John Fea writes that the past can shame us. “The story of human history is filled with accounts of slavery, violence, scientific backwardness, injustice, genocide, racism, and other dark episodes that might make us embarrassed to be part of the human race. If our fellow human beings can engage in such sad, wrong, or disgraceful acts, then what is stopping us from doing the same?” As part of our job, public historians need to help the public navigate the complex reactions that come with telling and processing truth. Fea writes of a certain humility that comes with studying the past. History done well helps people to be empathetic with people from the past, an attempt to step into their shoes and try to look at the world as they did. According to historian John Lewis Gaddis, “Getting into other people’s minds requires that your own mind be open to their impressions—their hopes and fears, their beliefs and dreams, their sense of right and wrong, their perceptions of the world and where they fit within it.”

As we attempt to understand another person’s world, we gain empathy for them. Empathy, of course, is not the same as sympathy. Sympathy is feeling compassion or sadness for someone’s hardship. Empathy is an understanding of a person’s motivations for a decision or action—not necessarily an agreement with their motivations. It is striving to understand their point of view.

Thanks for the plug, Tim! Read the entire article here.

The “America First Exhibit” at the Holocaust Museum

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My forthcoming book Believe Me: The Evangelical Road to Donald Trump devotes several pages to Trump’s use of the phrase “America First.”  The United States Holocaust Memorial Museum‘s exhibit “Americans and the Holocaust” was not yet open when I was writing these pages, but if it had been open I am sure a quick trip to Washington D.C. would have inspired some of my writing on this topic.

Over at The Atlantic, Eliot Cohen reviews the new exhibit. Here is a taste:

This might all be an occasion for mere brooding about the past, were there not some jarring echoes for today. The isolationist organization America First gets its share of attention here, and deservedly so. Launched in September 1940, it soon built up a membership of over 800,000. Led by the retired general and business executive Robert Wood, its most charismatic spokesman was the heroic aviator Charles Lindbergh, a strange but inflammatory hero for the isolationists, who was not beyond the occasional Jew-baiting himself. America First opposed the Atlantic Charter issued by Roosevelt and Churchill in August 1941 after their meeting off Newfoundland, presumably including clauses like the pledge to respect the right to self-government. It captured the imaginations of some privileged young men, to include a couple of future presidents and assorted intellectual luminaries. It vanished into thin air after Pearl Harbor, and many of the young men who supported it, like John F. Kennedy and Gerald Ford, changed their views in later years.

America First is, because of its discreditable history, a disreputable slogan, which has not prevented President Trump from embracing it and subordinates who know better from defending it. In so doing, they unwittingly undermine their other slogan, “Make America Great Again,” because the America of the 1930s was not all that great. There were—as we have been reminded by the opening of the National Memorial for Peace and Justice—the pitiless murders of African Americans by lynch mobs. There were scores of such killings in the 1930s. There was casual and open bigotry and discrimination against Jews and other religious and ethnic groups. If Roosevelt proclaimed the Four Freedoms in his 1941 State of the Union address—freedom of speech, freedom of worship, freedom from want, and freedom from fear—the great objectives of the struggle that impended, it was not because America was contentedly enjoying them and wished to share in their bounty, but because he knew that they had to be fought for, at home and abroad simultaneously.

Read the entire review here.

What “Scooby Doo” Can Teach Us About Museums and Material Culture

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Sarah Anne Carter is Curator & Director of Research at the Chipstone Foundation in Milwaukee.  Over at The Los Angeles Review of Books she explains what the cartoon Scooby Doo can teach us about museums.

Here is a taste of her piece “Scooby Doo in the Museum”:

When I watch the show, I see the possibilities of object-based research everywhere. At first, the focus on clues just seemed like typical detective fare. There were small moments that tipped me off that something else was going on. How did Velma learn to distinguish between Chinese and Tibetan objects? Does the plot really turn on her ability to read Native American pictograms or to identify a forged painting or ancient coin? Why are we in the basement of the Smithsonian, the home of a Civil War memorabilia collector, or a creepy wax museum? Apart from Velma’s impressive connoisseurial abilities, the whole gang frequently displays an unexpected ethical focus on cultural patrimony, keeping things in the places where the come from, like archaeological sites in Turkey or Mexico or museums in Puerto Rico and Venice where they may be properly understood. Could they be thinking about the important 1970 UNESCO convention on looted cultural property? They seem to care about special historic objects and frequent places that are full of them. Unlike the gang, the curators and professors they encounter—the supposed experts—use their knowledge for personal gain and crime as often as they do to care for collections.

Read the entire piece here.

Doug Bradburn Takes the Helm at Mount Vernon

BradburnCongrats to Douglas Bradburn on his promotion to President and CEO of George Washington’s Mount Vernon!  Doug takes the position after four years as Founding Director of the Fred W. Smith National Library for the Study of George Washington.

Check out our interview with Doug on Episode 17 of The Way of Improvement Leads Home Podcast.  Also check Doug’s interview with me at the “Conversations at the Washington Library” podcast (Episode 4).

Here is the press release:

MOUNT VERNON, VA—The Mount Vernon Ladies’ Association today announced the selection of its current library director, Dr. Doug Bradburn, to serve as the new president and chief executive officer of George Washington’s Mount Vernon. He will begin his tenure on January 1, 2018, as only the eleventh person to hold this esteemed position since 1858, when the Mount Vernon Ladies’ Association purchased the estate from the Washington family.

An accomplished leader and noted American history scholar, Bradburn currently serves as Founding Director for Mount Vernon’s Fred W. Smith National Library for the Study of George Washington. With his appointment as president, Bradburn will expand his responsibilities to oversee the multifaceted daily operations of America’s most visited historic home and its research library. At the same time, he will partner closely with the board to shape the organization’s strategic priorities surrounding preservation, education, and visitor engagement. His selection follows an extensive national search, which began earlier this year after Mount Vernon’s tenth president, Curtis G. Viebranz, announced his plans to step down in late 2017.

“While searching for our next president, the board gave careful thought to Mount Vernon’s immediate needs and to the Association’s long-standing pledge to preserve and protect not only Mount Vernon but the life and legacy of American’s first president, George Washington. Doug brings the right balance of management expertise, intellectual rigor, and passion for George Washington’s legacy to lead us in these times,” said Sarah Miller Coulson, Regent. “We have seen Doug’s energetic and effective leadership in action in the four transformational years that he has served as our library’s founding director, and we are confident that he will apply tremendous enthusiasm and commitment to this position.”

Bradburn was named the Library’s founding director in 2013, mere weeks before the facility opened. In his four years in this role, Bradburn oversaw the selection of more than 60 research fellows and developed and executed dozens of lectures and symposia. He pioneered the launch of the George Washington Leadership Institute, which provides leadership development to government, corporate, and military officials. He also championed the restructuring of Mount Vernon’s teacher outreach programs and the guided the creation of a residential fellowship program for talented college juniors. He secured significant acquisitions of documents and manuscripts for the Library’s collections and spearheaded significant enhancements to the Library’s digital platforms.

“Doug takes the helm at an important time in Mount Vernon’s history,” Coulson continued. “We are confident that he will help us build on our successes in historic preservation, educational outreach, and visitor engagement as we work in new ways and with new audiences to preserve Mount Vernon for generations to come.”

“I am humbled and honored that the Mount Vernon Ladies’ Association has entrusted me with the responsibility to lead this beloved institution,” said Bradburn. “My years at the Library have confirmed what I have long believed: that George Washington’s impact on the history and character of our country are far greater than that of any other individual. It is critical that we share these important stories of his life with our guests here at Mount Vernon and with people around the world. I look forward to my new role and to being part of an incredible team.”

Born in Wisconsin and raised in Virginia, Bradburn, 45, holds a B.A. in History and a B.S. in Economics from the University of Virginia and a Ph.D. in History from the University of Chicago.   He is the author and editor of three books and numerous articles and book chapters on the history of the American founding, leadership, and the history of American citizenship.  Before coming to Mount Vernon, Bradburn served as a professor of history and director of graduate studies at the State University of New York- Binghamton University and departed as chair of the history faculty. He will reside on the estate with his wife, Nadene, and their two children, Charles, 14, and Samuel, 12.

The Museum of the Bible Opens Tomorrow

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Today the Associated Press is running Rachel Zoll’s article on the Museum of the Bible.  I was happy to help her with the piece.  Here is a taste:

Separately, critics have seized on a changing mission statement of the museum from its earliest days, when founders said they aimed to prove the authority of the Bible, to a new, more neutral goal of inviting people to learn more about the Bible. Museum president Cary Summers described the change as a natural progression as the project moved ahead.

But John Fea, a historian at Messiah College in Pennsylvania, points to the family’s goal of helping people “engage with” the Bible as a telling indication about what the Greens hope to achieve. He said the “Bible engagement” concept was popularized by the American Bible Society in the 1990s amid concern that people who owned copies of the Scriptures weren’t necessarily reading them.

Fea said advocates for this strategy ultimately hope the Bible will inspire a desire to learn more and maybe accept Christ.

“There’s a public face to this Bible engagement rhetoric and then there’s a private aspect of what it really means,” Fea said. “It debunks the whole notion that this is just a history museum.”

Green’s response to such arguments: Visit the museum and decide for yourself.

Read the entire piece here.