I remember the first time I listened to the Hamilton soundtrack in the fall of 2015. It was my sophomore year, and I was deep in the throes of my musical theater phase. During this unique period of my life I exclusively listened to show tunes, spent all my money on seeing musicals, and obsessed over all things Broadway. Into this era of my life entered Hamilton.
If I remember correctly, I first discovered Hamilton on Instagram when a promotional video for the show popped up on my explore page. After watching Lin Manuel Miranda and his cast of diverse founding fathers hip-hop dance across my phone screen I turned to my mom and told her excitedly, “I think there’s a new musical about Alexander Hamilton!”
I spent the entirety of the next day listening to the soundtrack non-stop. Soon enough I knew all the words by heart, and couldn’t resist bursting into song whenever someone mentioned the show or said anything that remotely reminded me of it. A year later, I even got the chance to see the musical in Chicago, the day after Donald Trump claimed the presidency (my sister wrote a reflection on our experience here). With the passage of time, though, the Hamilton lyrics I memorized gradually faded back into the recesses of my mind–that is, until I registered for Professor Fea’s “Age of Hamilton” course.
As I entered Frey 241 last Wednesday, I soon realized that “Age of Hamilton” might be the most diverse upper level history course I’ll ever take at Messiah. Usually, non-history majors and minors steer clear of challenging history classes, but this course proves an exception. While a little over half half of those I observed in class on the first day were history majors, seats were filled by students from across the academic spectrum–some were theater majors, others study English or Biblical and Religious Studies, still another is pursuing a future in athletic training. Thanks to Lin Manuel Miranda, now everyone loves Alexander Hamilton–not just the history majors. I anticipate that our class discussions will be deeply enriched by the variety of perspectives students bring to the table.
The second day of class we discussed Hamilton as a form of “people’s history.” As a preview to his lecture Professor Fea showed us a YouTube clip from the 2009 White House poetry jam, during which Lin Manuel-Miranda performed an early version of Hamilton‘s opening number. My friend Rachel and I smiled sheepishly at each other when we heard Miranda’s unique voice ring through the speakers. Immediately several students began to mouth the lyrics to each other, and soon enough the entire classroom burst into song.
It still baffles me that students from across disciplines will gather every Monday, Wednesday, and Friday to learn about the United States’ first secretary of the treasury. Who knew that, because of a musical of all things, so many people would be able to rap about Hamilton’s immigration from the West Indies to New York. Soon enough though, our class will be able to do so much more than spout off song lyrics about Alexander Hamilton. Instead, we will gain a deep and thorough understanding of who he really was. While we will certainly continue to discuss the Hamil-mania that has swept the nation, we won’t be satisfied by a staged portrayal of his existence. Rather, we will read Hamilton’s words, discuss them, and wrestle with the complexities that defined his life. This class will surely broaden all of our horizons.