Here is a taste:
In his latest book, The Art of Loading Brush: New Agrarian Writings (available in November from Counterpoint), Berry continues to rage against machines: the laptops and high-tech tractors he believes are causing us to lose touch with each other and our environments. He laments the “dispersed lives of dispersed individuals, commuting and consuming, scattering in every direction every morning, returning at night only to their screens and carryout meals.”
Yes, Berry’s a bit of a curmudgeon, who likens our smartphone obsession to drug addiction and prefers horse-drawn plows to simulated horsepower. He writes longhand before his wife, Tanya, converts the manuscripts on a Royal Standard typewriter. Such anachronistic tendencies, however, point to more than mere nostalgia—namely, a clear-eyed view of the ways in which modern society is wrecking the Earth under the guise of progress. As the journalist David Skinner noted in 2012, “Instead of being at odds with his conscience, he is at odds with his times.”
God willing, the times may have finally swung back around to meet the man. Though Berry would no doubt heap scorn upon today’s $8 heirloom tomatoes and $200 farm-to-table dinners, he did participate in the new documentary Look & See: A Portrait of Wendell Berry, produced by Robert Redford and Nick Offerman. The reluctant subject never shows his face in the film; rather, he shares selections from his work in powerful low-pitched voiceovers. (Visit lookandseefilm.com for information on how to host a screening.) Not coincidentally, the rare photographs on these pages were captured by his intimates: former students and dear friends.
Read the rest here, including a new Berry poem.