Actually, Lin-Manuel Miranda, the man who played Hamilton on Broadway, had a chat with William Daniels, the man who played John Adams in the 1969 musical 1776 (and the 1972 film). I assume that if you are reading this blog you know something about Miranda. But you may also recognize Daniels for his role as Dr. Mark Craig on St. Elsewhere and Mr. Feeny on Boy Meets World.
Before we get too deeply into ticketing, I want to talk a bit about 1776. Today we think of it as being in the pantheon of great musicals, but in the 1960s, the show was so unconventional that Sherman Edwards had a hard time getting it produced. “Some of the biggest [names] in the theatre,” he recalled, “looked at me and said, ‘What, a costume musical? A costume, historical musical?’” Mr. Daniels, do you remember your initial reaction to the idea?
WD: I read the script with a bunch of people at somebody’s apartment. Sherman Edwards was a former schoolteacher from New Jersey, and he had written not just the songs, but the script. It was a little stiff; I remember thinking, We’re in the middle of Vietnam, for Christ’s sake, and they’re waving the flag?I really had to be talked into doing it. At any rate, when the script came back to me, Peter Stone had taken ahold of it, and he’d gone back to the actual conversations in the Second Continental Congress. He had written them out on little cards and injected them into the script, and it made all the difference in the world. It added humor and conciseness and truth.
LMM: I love that anecdote, because it gets at something that I discovered in writing Hamilton: The truth is invariably more interesting than anything a writer could make up. That Peter Stone went back to the texts written by these guys, who were petty, brilliant, compromised—that’s more interesting than any marble saints or plaster heroes you can create. And the picture you all painted together of John Adams was so powerful; in the opening scene, he calls himself “obnoxious and disliked,” which is a real quote. We don’t have a John Adams in our show, but we can just refer to him, and everyone just pictures you, Mr. Daniels.
LMM: Yeah. 1776 created such an iconic, indelible image of Adams that we just know who that is now. It’s also, I think, one of the best books—if not the best—ever written for musical theatre, in that you long to see them talk to each other. Which almost never happens in a musical. Most musicals, you’re waiting for the next song to start. That book is so smart, and so engaging.
Read the rest here.