Check out historian Claire Potter‘s piece at The New York Times: “Men Invented ‘Likability.’ Guess Who Benefits.” She reflects on the origins of the idea of “likability” advertising culture and, eventually presidential politics.
As Elizabeth Warren, Kamala Harris, Amy Klobuchar and others jumped into the race, each seemed to affirm the new power of women in 2019, a power that was born when President Trump was sworn into office, exploded during #MeToo and came into its own during the 2018 midterms.
But no female candidate has yet led the polls. The men keep joining — Michael Bennet this week, Joe Biden the last — and keep garnering glowing press coverage. Although Mr. Biden fumbled two previous presidential bids, we are told he has “crossover appeal”; Bernie Sanders has been admired by this newspaper as “immune to intimidation”; and Pete Buttigieg, who would be the first openly gay man nominated for president, is “very authentic.” By contrast Ms. Harris is “hard to define”; Ms. Klobuchar is “mean”; and Ms. Warren is a “wonky professor” who — you guessed it — is “not likable enough.” Seeing comments like this, Mrs. Clinton said wryly in January, “really takes me back.”
Likability: It is nebulous, arbitrary and meaningless, yet inescapable — and female politicians seem to be particularly burdened with it even when they win and especially when they run for president.
In a recent interview on CNN with Michael Smerconish, Potter challenged the audience to find one female candidate in the 2016 race who has been called “likability.”
Here is another small taste of her piece:
Americans were also taught that being likable was a quality that could be cultivated as a means to get ahead. In 1936, Dale Carnegie’s “How to Win Friends and Influence People” warned that those who tried too hard to be liked would fail: Theodore Roosevelt’s naturally friendly greetings to everyone he passed, regardless of status, Carnegie noted, had made it impossible not to like him, but Henrietta G., now the “best liked” counselor at her office, had been isolated until she learned to stop bragging. (Though looking back, we have to wonder: Would Henry G. have needed to hide his accomplishments?)
As presidential candidates put advertising experts in charge of national campaigns, perhaps it was inevitable that likability would jump explicitly to politics. In 1952, some of the first televised election ads sought to highlight Dwight Eisenhower’s likability. The advertising executive Rosser Reeves put Eisenhower in controlled settings where his optimism, self-confidence, humor and nonpartisanship could be emphasized over his political inexperience and what Reeves viewed as his “inept” speaking style. The animator Roy Disney was commissioned to make a cartoon spot with a catchy jingle: “Ike for President,” the song repeated, cutting to Uncle Sam leading a parade down the streets. “You like Ike, I like Ike, everybody likes Ike,” the chorus sang as Eisenhower’s smiling cartoon face passed.
Read the entire piece here.