If you are a New York Mets fan, a general baseball fan, a poet (it’s National Poetry Month), or a student of the African-American experience you must read Gettysburg College historian Tim Shannon‘s recent Penn Live (Harrisburg Patriot-News) piece on Ed Charles. (I should also add that Shannon will be our guest on Episode 36 of The Way of Improvement Leads Home Podcast. It drops tonight).
I was too young to see Ed Charles play third base for the Mets (1967-69), but I have fond memories watching him play in the “Miracle Mets” highlight footage that WWOR (Channel 9) used to show during Mets rain delays in the 1970s.
Tim Shannon is one of the few writers who can connect Ed Charles’s poetry to Phillis Wheatley and the Atlantic slave trade.
Here is a taste of his op-ed:
Ed Charles, the third baseman for the “Miracle Mets” team of 1969, died last month at the age of 84.
When the New York Times ran his obituary, it included several photos, including two shots of Charles on the field. One showed him diving for a ball with the agility that earned him his nickname, “The Glider.”
Another showed him leaping with joy along with pitcher Jerry Koosman and catcher Jerry Grote after the Mets recorded the final out of the ’69 World Series.
These two shots of Charles in action on the diamond were accompanied by a very different one of him taken in the Shea Stadium locker room in 1967, not long after he had been traded to the Mets by the Kansas City A’s.
Charles sits on stool by his locker, dressed in his uniform, with a pad of paper on his knee and a pen in his hand He looks away from the camera, his eyes raised above the horizon. The photographer, it would seem, has caught “The Glider” in a different kind of action.
Rather than being in mid-air, he is in mid-thought.
Charles was a locker room poet.
Read the entire piece here. Here is Charles the poet: