Over at History New Network, Andrew Wehrman, a historian at Central Michigan University, discusses the role of political satire in the 1760s and 1770s.
Here is a taste:
The cartoon-like representations of Donald Trump and his advisors Sean Spicer, Kellyanne Conway, Ivanka Trump, Jared Kushner and perhaps especially Steve Bannon on Saturday Night live point to a crisis of constitutional authority perhaps not seen in American popular culture since America’s first constitutional crisis during the tense decade prior to the American Revolution. Americans have developed a familiarity with the President’s advisors — their characters, agendas, and foibles — similar to the way in which Americans made sense of Great Britain’s policies prior to the Revolution. Saturday Night Live’s depictions of Trump’s narcissistic know-nothingness, Sean Spicer’s weaponized podium, Conway’s “alternative facts,” Ivanka Trump’s complicity, Jared Kushner’s speechless power-grab, and, of course, Steve Bannon’s ominously skeletal grim reaper, harken back to early fears that constitutional checks and balances do not protect a nation from nefarious advisors, ministers, family members, and interlopers.
While the policies, issues, and people differ greatly, these representations echo with the ways in which political satirists in the 1760s and 1770s warned colonial Americans of an impending constitutional crisis. Just as Americans point at Steve Bannon’s influence for the withdrawal from the Paris Climate Agreement or the “Travel Ban,” colonials did not initially rail against King George directly, but rather his ministers, especially the dark, sinister, and now largely forgotten Earl of Bute.
Read the rest here.