Yesterday we reported on “The Nation We Build Together,” a new floor of exhibits at the National Museum of American History in Washington D.C. One of those exhibits is “Religion in Early America.” It was curated by Peter Manseau, the Lilly Endowment Curator of American Religious History at the museum.
Over at “O Say Can You See,” the blog of the museum, Manseau writes about one of the featured items in the exhibit.
Here is a taste:
For several decades after the Revolution, Paul Revere was as famous for his church bells as for his midnight ride. His role as a horse-powered early warning system filling the Massachusetts countryside with shouts of “The British are coming!” in 1775 did not become the stuff of legend until Henry Wadsworth Longfellow published his heroic poem “Paul Revere’s Ride” in 1861. Yet he was always known as a man who could use sound in the service of his country.
While he is often remembered simply as a patriot silversmith, Revere’s career and reputation were far more complex during his lifetime. The opening days of the struggle for independence included the events that would eventually make him known to history, but he spent the latter part of the war under a cloud for the charges of insubordination leveled against him during the disastrous Penobscot Expedition, a chaotic naval operation that cost Continental forces hundreds of lives in 1779. Eventually exonerated of any wrongdoing, he continued to work to clear his name and improve his standing in the new nation.
With military laurels beyond his reach, Revere sought to rise socially through business. He broadened his metal-working to include a bell foundry in 1792, when the congregation to which he belonged, the New Brick Church, required a replacement bell for its tower. Between 1792 and his death in 1818, Revere’s company—Revere and Son—made more than 100 bells. The family-run foundry would ultimately cast 398, with the last bell sold in 1828.
Read the entire post here.