The Author’s Corner with Kyle Roberts

evangelical-gothamKyle Roberts is Assistant Professor of History at Loyola University Chicago. This interview is based on his new book, Evangelical Gotham: Religion and the Making of New York City, 1783-1860 (University of Chicago Press, 2016).

JF: What led you to write Evangelical Gotham?

KR: The scholarship I found most exciting in graduate school was about the history of evangelicalism. So many great books came out in the 1990s and early 2000s – Heyrman’s Southern Cross, Hatch’s Democratization of American Christianity, Sensbach’s Rebecca’s Revival, Lambert’s Inventing the Great Awakening, Noll’s America’s God – but so few focused on evangelicals in cities. For a while I thought evangelicals only existed in the rural hinterland.

As for Gotham, I was regularly crossing through New York as I took the Amtrak back and forth between my home in Boston and graduate school in Philadelphia. I felt like historians had sort of figured out Boston (Puritan) and Philadelphia (pluralistic), but the story of New York was still waiting to be told. When scholars did write about religion in nineteenth-century New York, they often focused on eccentrics, such as Johnson and Wilentz’s Kingdom of Matthias, or religious communities who settled themselves in urban spaces built by others, such as in Orsi’s glorious Madonna of 115th Street. I wanted to know more about the religious beliefs, practices, and worldviews of the mainstream folk who built the city in the first place.

JF: In 2 sentences, what is the argument of Evangelical Gotham?

KR: In Evangelical Gotham, I argue that the astonishing rise of the nation’s leading city and its dominant Protestant religious movement were intricately intertwined between the end of the American Revolution and the outbreak of the Civil War. Inherently pluralistic and syncretistic, evangelicalism provided a broad range of New Yorkers with a meaningful and adaptable, if at times contradictory, urban religion that helped them respond to, locate themselves within, and significantly contribute to the growth of the city and the nation over a crucial eighty-year period.

JF: Why do we need to read Evangelical Gotham?

KR: I think we miss a key part of the American experience if we ignore the place of religion in the development of the nation’s cities. There are two important things that surprised me in writing this book:

First, evangelicals were really innovative. Earlier scholars of nineteenth-century urban religion have discounted evangelicals as failures who could not think beyond transplanting rural models in urban spaces. What I found couldn’t be more different. Evangelical New Yorkers were remarkably creative people, eager to put the secular resources of the city to sacred ends. Take, for example, their rethinking of sacred space. They had some of, if not the, earliest storefront churches in the country, dating back to the 1760s; they perfected a vernacular style for meetinghouses that well suited the realities of urban real estate; they threw out centuries-old modes of funding churches and created a series of Free Churches on a radically new plan; and they adapted everything from theaters to ship decks into places for preaching the gospel. Even the briefest glance at the extent, plan, and scale of their publishing ventures confirms how forward-thinking they were.

Second, evangelicalism was not all about social control. It’s easy to caricature antebellum evangelicals as pious, middle-class do-gooders. Many of them were. But reducing their faith to some form of class control isn’t fair to my historic subjects and misses the point. I wrote each chapter around the story of one or more New Yorkers so that readers could get a sense of what their faith meant to them and how it inspired them to act upon it. Some, like Lewis Tappan and Phoebe Worrall Palmer, are still remembered today; others, like Charles Lahatt or Michael Floy, have been forgotten – but have much to tell us.

JF: When and why did you decide to become an American historian?

I think it was the summer after my junior year in high school that I made peace with the fact that I was destined to be an Americanist. I had spent that summer at MASP – the Massachusetts Advanced Studies Program – sort of a nerd camp for public school kids held at Milton Academy. There I discovered that I hated economics and loved writing. So, I gave up my thoughts of becoming an insurance agent like my father. I jumped feet first into American Studies when I got to Williams College and haven’t looked back. Along the way I also embraced my calling as a public historian and digital humanist.

JF: What is your next project?

KR: I’m trading evangelical New Yorkers for Midwestern Catholics. When I arrived at Loyola six years ago, I knew I wanted a locally-based research project through which I could teach the digital humanities, public history, and the history of religion. My first week there I made an appointment with University Special Collections to see what they had for materials related to the history of the library. (It wasn’t a completely random question, I had just spent two years in London creating Dissenting Academies Online (, a recreation of the holdings and borrowing records of eighteenth- and nineteenth-century dissenting academies.) The archivist brought out a detailed manuscript library catalog from the school’s first decade. I knew at that moment that I had found my next project.

Over the past few years I’ve worked with dozens of bright undergraduate and graduate student interns on the Jesuit Libraries Provenance Project ( It has provided some on my most rewarding teaching and confirmed the value of collaborative research. We’ve recreated Loyola’s first library catalog in a virtual library system, tracked down and documented most of the nearly 1500 titles still surviving from the original library, identified library catalogs and collections at other Jesuit colleges and universities, and even started to reconstruct the Catholic book trade in the 1840s Mississippi Valley from a massive ledger kept by Jesuits in St. Louis. The goal is now to bring this all together in a monograph that asks readers to rethink Catholicism, print, and nationalism from the perspective of the nineteenth-century Midwest. Let’s just say Lyman Beecher actually had something to fear when he published his Plea for the West in 1835!

JF: Thanks, Kyle!